Drama
DN EP 122: Spider – Nash Edgerton
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Given the amount of time I spend watching films on my laptop or iPhone it’s easy to forget role of cinema as a shared experience. Director/Writer/Stuntman Nash Edgerton and his short Spider provide a welcome reminder of why films are often improved when watched in groups and how a believable representation of relationships and the world sometimes has a far greater emotional impact than the most fantastical of tales.
Showlinks
Blue Tongue Films
The Square
I Love Sarah Jane
Mike Seymour
The VFX Show
Author: MarBelle
MarBelle has a strange compulsion to watch as many films as he can get his hands on and find jobs that give him a legitimate excuse to drill filmmakers about their work. Directors Notes is the latest incarnation of this disorder and so much cheaper than film school. Twitter: @MarBelle
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[...] by Nash Edgerton is one of those shorts that will stick in your head for a long, long time and is a firm favourite [...]
[...] independent cinema. Doing this instantly sparked the voices in my head to start screaming “Nash Edgerton, NASH EDGERTON” and I thought it was about time to check out what our favourite Australian [...]
[...] gained widespread critical acclaim. Then of course, how can we forget DN favourite and past guest Nash Edgerton and if you’re talking about success in independent film, then surely there’s no greater acclaim [...]
[...] gained widespread critical acclaim. Then of course, how can we forget DN favourite and past guest Nash Edgerton and if you’re talking about success in independent film, then surely there’s no greater acclaim [...]
[...] Podcast interview with the director of Spider, Nash Edgerton about making the short. On the PopPressed Radar Print Magazine's New Visual Artists Saint Petersburg Unveils Primorskiy Zoological Park with Geodesic Domes What One Does In Paris if One is a Carter or Knowles [...]