Charlotte Hamblin talks about making the move into directing for her semi-autobiographical tragicomedy about a woman concerned that she's a catalyst of death.
Nick Aldridge walks through the genesis of his doc which takes a poignant look at male mental health struggles through a series of intimate conversations.
Paul Chambers discusses the 16mm camerawork used in his hard hitting experimental drama capturing a young man's spiralling loss of control to addiction.
We chat to Sam Baron about his love of subversion in comedy and digging into the paranoid fragility of the male ego in the conclusion of his Amit Shah trilogy.
Simon Woods walks through the ways he played with dark and light in the telling of his shocking drama about a young boy navigating his parents' marriage.
Samantha Moore breaks down the slyly subversive framework of her tactile and therapeutic animated documentary expressing the restorative power of knitting.
Elham Ehsas talks about placing the audience in his protagonist's shoes in his film shining a light on the loss of women's freedoms under Taliban rule.
Writer/Director Yasmin Afifi tells DN why magical realism was the perfect genre in which to tell her dark comedic story about finding joy at the end of life.
Nick Rutter & Ben Richardson explain how they established the dark, witty tone of their farcical short about opposing sexual appetites and dietary ethics.
Andzej Gavriss explains how meticulous planning enabled him to execute the ambitious level of production required for his Christmas-set World of Tanks spot.