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• Giovanna Molina Deploys the Power of Silence and Raw Honesty Between Teens in High School Drama ‘Quaker’
• An Otherworldly Mollusk Magnifies a Flawed Relationship in Nathan Mark Ginter’s Practical FX Short ‘Steak Dinner’
• 10 Genre-Spanning Short Films That Capture the Essence of SXSW London 2026
• “If I Get Fired For This, At Least It’s a Great Film” Editor-in-Chief Holly Fraser on Commissioning at WePresent
• David Liu Builds a Lifetime of History Between Lovers in His Temporally Fluid Short ‘A Song for Gracie’
• A Mother and Two Daughters Circle Their Shared History in Chanelle Eidenbenz’s Subtly Searing Short ‘Resort’
• Profound Solitude Slowly Collapses Around a Sheltered Farmer in Billy Chester’s Stark Swedish Island Short ‘Bonde’
• Ross O’Donnellan’s Tender Directorial Debut ‘Bedcrumbs’ Sits Inside the Quiet Erosion of a Failing Relationship
• Cannes Double-Hitter Vida Skerk Finds Solidarity in the Industrial Sublime in Haunting ‘Left Behind, Still Standing’
• Ghosts of Empire Bleed Through a Hustler’s Frantic South London Odyssey in Keifer Nyron Taylor’s ‘The Tobacconist’
• Fanny Capu Unburdens the Next Generation From the Suffocating Weight of Legacy in Stop-Motion Cannes Short ‘Pickled’
• Hector Bell Unmasks the Performatively So Called Enlightened Modern Man in His Body-Horror Short ‘Skin Deep’
• Kyle Jon Shephard Mines a Father’s Jealousy of His Missing Son for Awkward Comedy in ‘Proud Dad
• Luigi Sibona Filters a Child’s Personal Apocalypse Through a Magical Realism Lens in ‘Far From the Plains’
• Ben S. Hyland Cuts Fragile Masculinity Down to Size in His Sharp Vasectomy Comedy Short ‘The Snip’
• Lorenz Klapfer Journeys Into the Sacred Gender Fluidity of Naples in Poetic Documentary ‘Figlie di Partenope’
• Devotion Curdles Into Something Far Darker in Elliott Louis McKee’s Seductive Berlin-Set Romance ‘Forever Yours’
• WeAreDN Awards 2026 – The Winners
• Maya Winkler Explores Boobs, Existential Dread & the Absurdity of Women’s Healthcare in Off-Kilter Comedy ‘Lumps’
• “It Is an Infectious Product” Designing a 45-Year-Old Masterpiece: Muzaffar Ali on ‘Umrao Jaan’s’ Timeless Appeal
• Ruhi Radke Crushes the Sexy Virginity Myth in Her Cringeworthy but Empowering Short for All the Wallflowers ‘Squash’
• Amrou Al-Kadhi’s ‘Original Sin’ Stages a Tragic Mother-Son Bloodbath as Hollywood Melodrama in Short Film Form
• Isaac Brown Blends Raw Street Energy With Mythic Staging in Genesis Owusu’s Exhilarating Music Video ‘Stampede’
• To Immortalize Their Love a Couple Turn to a Struggling Artist With Dark Intentions in Femke Huurdeman’s ‘Carve’
• Navigating the Seas of Film Form with Mark Jenkin
• 10 Short Films that Capture the Spirit of Cardiff Animation Festival 2026
• Retro-Futuristic Consumerism Meets Modern Day Existential Dread in Oscar Garth’s Absurdist Sci-Fi Short ‘Benji’
• The Meet-Cute You Tell vs. The One That Actually Happened Collide in Leve Kühl’s Grindr Spot ‘Peas’
• A Teenage Couple’s Young Love Meets a Harsh and Unsettling Morning After in Liz Rao’s ‘The Truck’
• A News Anchor’s Viral Gaffe Unmasks Marriage Turmoil in Will Mayo & Ian Scott McGregor’s Comedy ‘The Mountain’
• Randa Ali Traverses a Delicate Exploration of Memory and a Daughter’s Mourning of Her Estranged Father in ‘Mango’
• Nicholas Finegan Cracks the Brittle Shell of Masculine Stoicism in His Intimate Neo-Western ‘Some Kind of Paradise’
• Directors Notes Presents the WeAreDN Awards 2026 & Twenty Years of Supporting Indie Filmmakers
• Grace Tan Transforms Trauma Into a Story of Visceral Reclamation Through the Radical Power of Queer Pole Dance
• James Siewert Spins up a Stop Motion Tale of Capitalism’s Inevitable Downfall for Just Desserts’ ‘Tender’
• Light Devours Form and Fashion Dissolves in Adam Muscat’s Otherwordly Short ‘In the Heart of the Flower Citadel’
• Livia Albeck-Ripka & Víctor Tadashi Suárez Expose the Poison of LA’s Post-Fire Limbo in ‘Still Standing’
• One Room, Two People and Everything Left Unsaid in Iris Breward’s Fly in the Ointment Short ‘Afterplay’
• How a Recurring Daymare of Isolation and Gentrification Led to Lucas Murphy’s ‘You Can’t Talk to the Dude’
• A Couple Question Bringing a Baby Into a Declining World in Andrew de Zen’s ‘Holocene’ for Alaskan Tapes
• “Your Maybe Is Also a No” Ita O’Brien on How Intimacy Coordination Changed the Film Industry for the Better
• 10 Audacious, Bold and Unstoppable Short Films Screening at NFFTY 2026
• An Intimate, Evocative Dive Into Fertility, Fear, and Women’s Agency Through Magical Realism in Rita Heer’s ‘Abja and Her Pickled Eggs’
• Sharif Abd el Mawla Explores Dystopic Loneliness & Primal Mating Dances in Surreal Music Video ‘In Search of Yang’
• Idyllic Surroundings Mask a False Serenity and Something Far More Sinister in Nick Dugan’s ‘Foxhole’
• Poignant, Playful and Powerful: 10 Must-Watch Shorts from BFI Flare 2026
• Taryn Ward Reckons With Disorientating Grief in His Quiet, Contemplative Short ‘NEST’
• Inside Mine! – How Louis Morton’s Short Film Explores Capitalism and its Environmental Impacts
• SXSW 2026 Guide: 14 Emerging Filmmakers You Need to Know
• BFI Flare Programmer Diana Cipriano on the Evolution of LGBTQIA+ Cinema and the Festival’s 40th Anniversary
• Rhubarb’s Vivid Pink Bleeds Into the Murky Darkness of Dementia in Steven Boyle’s Stirring Surreal Short ‘Tusky’
• An Unlikely Friendship Blossoms in Lee Knight’s Touching Oscar-Nominated Short Film ‘A Friend of Dorothy’
• Carissa Gallo Navigates Inner Turmoil and External Expectations as a Woman in Shutting Off Drama ‘Someday It Is’
• Hilla Medalia on Silent Protest, Sorrow and Her Oscar-Nominated Documentary ‘Children No More: Were and are Gone’
• Alison McAlpine Finds the Universe in the Unhurried Gaze of Donkeys in Oscar-Nominated Doc ‘perfectly a strangeness’
• Natalie Musteata & Alexandre Singh Weaponise Absurdism Against Authoritarianism in ‘Two People Exchanging Saliva’
• Joshua Seftel Finds the Weight of Absence in the Specific and Small in Oscar-Winning Doc ‘All the Empty Rooms’
• How the BBC Enabled New Voices to Take Creative Risks with Their Long Story Short Initiative
• How Nathan Engelhardt & Jeremy Spears Turned a “Love-Letter to Stop-Motion” into Oscar-Contender ‘Forevergreen’
• Meyer Levinson-Blount’s Oscar-Nominated Short ‘Butcher’s Stain’ Asks Who Gets Blamed When Tragedy Strikes
• Konstantin Bronzit Defines the Gestures That Underscore Meaning in His Oscar-Nominated Short ‘The Three Sisters’
• Sam Davis Crafts an Ode to Vulnerability Via Men Who’d Never Dream of Showing It in Oscar-Winner ‘The Singers’
• How “Lowering the Stakes” Led John Kelly to Strike Creative Gold with Oscar-Nominated Short ‘Retirement Plan’
• Craig Renaud Mines 20 Years of War Journalism in Tribute to His Brother in ‘Armed Only With a Camera’
• J.P. Vine Unleashes Boundless Imagination for Kids and a Quiet Gut-Punch for Parents in BAFTA-Nominated ‘Cardboard’
• Georgie Wileman & Matt Houghton Transform Personal Pain with Radical Intimacy into BAFTA Doc ‘This Is Endometriosis’
• A Real Life Marketplace Encounter Leads to the Wildly Entertaining Fever Dream That Is Olivia Accardo’s ‘Baby Tooth’
• Julia Aks & Steve Pinder Turned Bloody Shame Into Period Parody in Oscar-Nominated ‘Jane Austen’s Period Drama’
• Huiju Park Directs Herself Through Family Trauma With Narrative Precision in BAFTA Doc Short ‘Welcome Home Freckles’
• Emotional Repression Becomes Public Health Crisis in Emma Doxiadi’s Allegorical ‘Something Like The End of The World’
• Edem Kelman Navigates the Dynamics of Faith and Family for London’s African Diaspora in BAFTA Short ‘Terence’
• From Independent Production to Award Recognition: Luke Angus’s ‘Solstice’ and the Path to a BAFTA Nomination
• 10 Shorts That Left Their Mark from the 48th Edition of Clermont-Ferrand International Short Film Festival
• Matt R. Smith Takes Us on a Gripping Ride Through a Stylish Tense Nightmare in WTF Horror ‘The Parish’
• Beauty and Imagination Meet Tragedy and Triumph in Florence Miailhe’s Oscar-Nominated Animation ‘Papillon’
• Maciek Szczerbowski & Chris Lavis Weigh Love’s Value in Oscar-Winning Stop Motion ‘The Girl Who Cried Pearls’
• Radical Vulnerability Powers a Deliriously Earnest Exploration of Selfhood in Collaborative Drama ‘The Unexpressed’
• A Mother and Daughter Circle the Unspeakable in Amelia Sears’ Quietly Devastating Transposed Mythical Drama ‘Ceres’
• Edie Amos Crafts a Vital Poetic Antidote to the Manosphere’s Toxicity in Her Sam Browne Documentary ‘Just a Boy’
• A Struggling Couple’s Sexual Revival Takes a Titillating Turn in Kyle Jon Shephard’s Shifting Comedy ‘Role Play’
• Saul Abraham Channels Adult Vulnerability Through the Lens of Childhood Innocence in Tender Music Video ‘Tell Him’
• 13 Standout Short Films from Sundance 2026
• Hope Springs Musically Eternal in Guy Larsen’s Delightful Stop-Motion Jazz-Fest Short ‘Root Note’
• Mylissa Fitzsimmons Navigates the Messy Territory of Performing Adulthood in Two-Hander Motel Drama ‘I’m Not Sure’
• A Chronic People Pleaser Goes on a Desperate Mission to Embrace His Dark Side in Louis Paxton’s ‘Tippy Toes’
• Alex Barnes-Auld’s Barista-Battling Comedy ‘Long Black’ Is a Caffeine-Fuelled Brew Fit to Burst
• Annika Chavez Turns a Shared Bathtub Into an Uncertain Stage of Fluid Friendship in Her Wry Short ‘Three Minutes’
• Emma Miranda Moore Reconstructs a Pivotal Evening Through Fractured Memory in Haunting Drama Short ‘That Night’
• Lorenzo Gonnelli Builds Familiar Tension Only to Collapse It in His Morally Suspended Fractured Short ‘Godless Animals’
• Ben Wheatley Builds a Cardboard Multiverse in His Gloriously Unpolished Lo-Fi British Sci-Fi Thriller ‘Bulk’
• Abdou Cissé’s ‘Authors of the Estate’ Captures the Magic of a Community Taking Their Story Into Their Own Hands
• Charlotte Serena Cooper Dismantles Queer Screen Death Tropes with Genre Pastiche in Riotous Satire ‘Bury Your Gays’
• Directors Notes Favourite Interviews of 2025
• Sarah Smith Top Ten Feature Films of 2025
• Neil Fox Top Ten Feature Films of 2025
• Jesse Williams Top Ten Feature Films of 2025
• François Larpin Finds Absurdist Poetry in Restraint in the Surreal Holiday Storytelling of ‘A Festive Tale’
• Victor Nauwynck Pumps Primal Desire Into Marital Decay in His Transgressive & Visually Arresting Short ‘The Bull’
• Ruben Gagliardini Conjures an Animated Chimera to Battle Corporate Cynicism in His Documentary ‘Macchina Continua’
• Thomas Laurance Exorcises Creative Paralysis Through DIY Rotoscoping in His Scatological Satire ‘Tortured Artist’
• Vanity Propels a Disturbing Longing for the Past in Kathryn Ferguson’s BAFTA Nominated Belfast-Set Short ‘Nostalgie’
• Caleb J. Roberts Transcends Preconceived Notions of Gay Relationships and Intimacy in His Tender Short ‘Purebred’
• Temperatures & Tensions Rise as a Grifter Faces the Music in Chelsie Pennello’s Hectic Comedy ‘Cherry-Colored Funk’
• Will Wightman Unleashes the Domestic Disgust of Shared Flats in Insta360 Comedy Horror ‘This Place is a Sh*thole’
• Lily Rutterford & Lucy Minderides Present a Puppet-Powered Musical Journey Into the Chaos of ‘Dating in Your 20s’
• Firas Itani Charts the Invisible Sisyphean Weight of Everyday Labour in Tense Drama ‘Lower Ground’
• Amandine Thomas & Gerardo Coello Escalante Capture the Uneasy Nuance of the Tourism Economy in Drama Short ‘SUSANA’
• Lope Serrano’s ‘The Cause Of The Accident That Started The Fire’ Turns Creative Crisis Into Meta-Narrative Excellence
• An AI-Powered Sex Robot Exposes a Relationship in Crisis in the Nüesch Sisters’ Dark Comedy ‘Marriage Unplugged’
• Gus Reed Choreographs a Delicate Dance of Discontent in His Enigimatic Disquieting Short ‘Losing Season’
• Jessica Barr Blurs Performance And Personal Trauma In Her Intimate, Visually Claustrophobic Acting Short ‘Private Moments’
• Julija Fricsone-Gavriss on the Philosophy of Production Design and Building Worlds That Feel Real
• Amir Youssef Constructs a Tender Child’s-Eye View of Personal Loss Amongst Historical Rupture in ‘Dawn Every Day’
• Anna Fabricius Maps the Female Form as a Landscape of Empowering Transformation in Her Hybrid Short ‘Shaping Change’
• Love and Loathing Intertwine in Katie Lambert’s Perfectly Formed Teenage Desire Comedy ‘I Hate Helen’
• A Woman Finds Relief in Self-Pleasure in Olivia Griselda & Sarah Cheok’s ‘She and Her Good Vibrations’
• Harry Lighton Navigates the Intersection of Kink and Suburban Mundanity In His Subversive Queer BIFA Feature ‘Pillion
• Gus Flind-Henry & George Malcher Capture the Chaos and Heart of Teaching in BIFA Nominated Short ‘A Sisyphean Task’
• Baz Sells Crafts an Eden of Queer Black Love in Tender BIFA & BAFTA Nominated Stop Motion Short ‘Two Black Boys in Paradise’
• Cal McMau Directs Balletic Violence and Claustrophobic Tension in His BIFA Winning Prison Thriller ‘Wasteman’
• Isabella Eklöf on Condemning the Ones We Love in Her Adaptation of Nick Cave’s ‘The Death of Bunny Munro’
• Personal Grief and Political Upheaval Intertwine in Akinola Davies Jr.’s BIFA Winning ‘My Father’s Shadow’
• Laura Carreira Crafts a Sensory Portrait of Gig Worker Loneliness in Her Multi BIFA Nominated Debut ‘On Falling’
• A Grieving Man Confronts Unconscious Desires in Jacob Samuels’ Dark Suburban Comedy ‘I Want My Mommy’
• The Rapid Escalation of Mob Mentality Consumes a Welsh Village in Mac Nixon’s Enigmatic BIFA Nominated Horror ‘Flock’
• Housemate Tensions Morph Into a Surreal Nightmare in Hansel Rodrigues & Ieuan Coombs’ Comedy ‘An Indirect Message’
• How Geoff Barrow & John Minton Made Invada Films’ Suspenseful Indie Thriller Debut ‘Game’
• Our Top 12 Short Film Picks from Manchester Animation Festival 2025
• Jack Turits Builds a Surreal, Darkly Humorous Exploration of Societal Absurdity in ‘Pun Intended’
• Pardeep Sahota Explores the Commodification of Love in His Genre-Bending Dystopic Short ‘OK/NOTOK’
• “Would This Exist Without the Brand?” Margo Mars Lays Out LIEF Entertainment’s Approach to Authentic Storytelling
• Maternal Love Persists in Zain Duraie’s Claustrophobic Meditation on Motherhood and Mental Health ‘Sink’
• Jamie McCormack Weaves Grief and Genre Tension Into a Brooding Tale of Fractured Familial Bonds in ‘Mersea’
• Inside the Hypnotic World of ‘Shapes’: How Tsz-wing Ho Let Music Lead the Way
• An Aspiring Accordion Player Falls Prey To Insidious Exploitation in Eva Louise Hall’s Stop Motion Horror ‘Mira’
• Ellen Rodnianski’s Claustrophobic Short ‘Family Matters’ Probes the Moral Paralysis Behind Systemic Violence
• After 27 Years, Shooting People’s Cath Le Couteur On Wrapping An Indie Film Institution With Grace
• Imran Perrettas ‘Ish’ Captures the Seismic Heartbreak of a Childhood Friendship Fracturing Under External Pressures
• Alyosha Fuses 18th Century Hedonism With Modern Rave Culture in His Branded Short ‘Rave Or Freeze’ for Posié
• Tobias Frøystad & Tayo Cittadella Cultivate a Surreal Harvest of Human Exploitation in ‘Fuck the Crops’
• Matthew Rollins Blends Cosmic Seeking and Earthly Comedy in His Spiritual Sci-Fi Short ‘Stellan and the Stars’
• Exclusive First Look at the BIFA 2025 Douglas Hickox Award (Best Debut Director) Longlist
• Huse Monfaradi Traces the Fractures of Grief, Guilt and Unlikely Forgiveness in His Intimate Prison Drama ‘One Punch’
• 10 Striking Shorts From the 69th Edition of the BFI London Film Festival
• Movement Articulates Unspoken Vulnerability in Jessie Oldfield & Adam Murfet’s Collaborative Healing Short ‘As One’
• Feelings of Tenderness and Dread Collide in Amanda Bonaiuto’s Surreal Animation ‘Confetti’
• Tensions Boil Over as Preconceptions Shatter Amid the Hectic Heat of a Takeaway in Luís Hindman’s ‘MAGID / ZAFAR’
• Konstantin Enste Examines Our Skewed Relationship With AI Assistants in Wry Comedy ‘The Death of the Machine’
• Ima Iduozee Weaves a Luminous Ode to Black Hair and Barbershop Intimacy in His Documentary Short ‘Crown’
• Neeraj Ghaywan Unpacks the “Code 360” Method Behind the Emotional Power of India’s Academy Award Entry ‘Homebound’
• Self-Destruction Stymies a Deadbeat Dad’s Attempt To Reconnect With His Son in George-Alex Nagle’s Taut Drama ‘Mate’
• A Bottle to the Head Fractures Reality in Theodore Collatos’s Surreal Slamdance Winning New York Short ‘Palookaville’
• A Fleeting Encounter Unlocks a World of Whimsical Possibility in David Ma’s ‘The Dancing Girl and The Balloon Man’
• Steph Barkley Wrestles With the Volatile, Physical Language of Sibling Rivalry in Murderous Short ‘Sisters’
• A Floating Nation of Trash Becomes an Unlikely Sanctuary for Second Chances in Tobia Passigato’s Eco-Fable ‘Wasted’
• 10 Unmissable Shorts Screening at Encounters Film Festival’s Much Anticipated 30th Edition
• Rosie May Bird Smith Hatches a Surreal Sisterhood From Biological Clock Anxiety in Comedy Short ‘Egg Timer’
• Ali Gill Weighs the Nobility of Truth Against the Power of Conformity in Absurdist Satire ‘Party Animal’
• Cassie Shao Transforms Repetitive Explosive Moments into Narrative Inspiration in ‘This is a Story Without a Plan’
• Jim Hosking Unleashes the Absurdist Alchemy of Musical Legends Stevie & Paul in Revisionist Biopic ‘Ebony & Ivory’
• Jason Bock Exposes the Painful Process of a Contorted Metamorphosis in Movement Music Video ‘Lace’
• Riley Donigan Manifests Mental Anguish Through Grotesque Body Horror in His Profoundly Human Short ‘Shithead’
• Get Stuck Into These 10 Outstanding Short Films Screening at the 2025 Edition of Bolton International Film Festival
• Jules Harbulot Crafts an Emotive and Passionate Vision of Instant Connection in His Music Video ‘Memories’
• Albert Bullock’s ‘Love Is Real’ Replaces Cinematic Romanticism With a Striking Dissection of the Nature of Love
• Georgia Small Shoulders the Crushing, Inescapable Weight of a Partner’s Silent Grief in ‘Baby’
• 9 Spellbinding Shorts Screening at Conero Film + ADV 2025
• Joshua Elias Palmer Carves a Tender, Sombre Portrait of Filial Sacrifice in the Starkly Beautiful and Silent ‘Coda’
• How Do You Animate an Orgasm? Inside Bronwen Parker-Rhodes’ Bold Descriptive Documentary ‘COME’
• Submitting to Film Festivals? FilmFreeway GM Matt Toigo Talks Scams, Fees, Marketing & the Platform’s Future
• Luke White Opens up a Channel Between Past and Present in Hypnotic Emotionally Charged Dance Short ‘Boy Inside’
• The Future of Animation: Six Standout Short Films from the 2025 RCA Grad Show
• The Weight of Horrifc Unspoken Trauma Crushes Small Shoulders in Lado Kvataniya’s Campaign Short ‘Haqqim Bor’
• Desire’s Unstoppable Pulse Thrums Through Julia Ponce Díaz & Nico Blanco’s Raucous ‘Cowboy, Choker, Harness & Heart’
• Mateo Martinez Weaves Ancestral Ghosts and Emerald Greed Into a Hypnotic Columbian Allegory in ‘Cacique del Monte’
• A Charity Shop Transaction Spirals Into Surreal Chaos in Ken Abalos & Ash Meshkati’s Unpredictable Comedy ‘Easy Sell’
• Peter Fellows’ ‘Fluffmeister, a Poodle of Questionable Heritage’ Bears Witness to a Toxic Relationship’s Demise
• Forged Over 20 years Victoria Mapplebeck’s ‘Motherboard’ Presents the Raw, Unvarnished Reality of Solo Motherhood
• Games Night Unravels Into a Brutal Tribunal of Guilt in Alex Sovoda’s ‘Circumstantial Forgiveness’
• Grief, Thrills & Everything In Between: 10 Unforgettable Short Films at HollyShorts 2025
• Mohammad R. Khavari Targets Institutional Power in His Quietly Radical Short Film ‘Unjustified’
• Why Every Filmmaker Should Start with a Short Film
• Finding Beauty in the Chaos: Natasza Cetner on Creating ‘And the Cranes Kept Dancing’
• Anna Smith on the Girls On Film Podcast & Awards, Feminist Film Criticism and Navigating Industry Bias
• Ira Groza Builds a Fragmented Portal Between Performance, Memory and Truth in Surreal Webcam Short ‘Goosecam’
• Oli Beale Weaponizes Words With Chilling Precision in Double-Edged Revenge Short ‘Good Luck Fuck Face’
• Danny Jelinek Ships a Gamified Nightmare of Technocapitalism in Saturated Satire ‘Word of Mouth’
• Ethan Edwards Crafts a Biting Literary Duel of Confided Secrets Revealed in Razor-Sharp Two-Hander ‘Goose’
• Choreographing Community Collapse: Athina Rachel Tsangari on the Ritualistic Filmmaking of ‘Harvest’
• Tanu Muiño & Nikita Kuzmenko’s Dance Film ‘Moncalvo’ Explores Resilience Through Thrilling Physicality
• Callie Carpinteri Derails Female Sex Shaming in Her Empowering Comedic Drama ‘Dirty Towel’
• Abigail Wilson Revs up a Visceral Battle Against the Self in Adrenaline-Fuelled Action Short ‘Overdrive’
• Dexter Demme & Jack Depp Pit Pride Against Absurdity in Their Tense Couples’ Mexican Standoff Comedy ‘Tug of War’
• Andzej Gavriss Crafts a Hopeful Ode to Migration, Love and the Universal Concept of Home in ‘Foreign Root’
• Wednesday Studio Encapsulate the Spirit of Synergised Creative Collaboration in Animated Visual Poem ‘Yin & Yang’
• Finegan Sampson Unlocks the Painful Beauty of Acting and Emotional Truth in ‘Teach Me How To Cry’
• tao/s Present a Raw Portrait of Family Turmoil Born of Mental Illness in Personal Short ‘Very Still, Very Quiet’
• The Newman Brothers Expose the Exploitative Absurdity of the Gig Economy in Satirical Short ‘Amigo’
• A Veteran’s Hallucinatory Homecoming Unfolds in Suad Gara’s Intimate Portrait of Invisible Battle Wounds ‘Qaragh’
• Bailey Tom Bailey Blends Tension and Dark Humour in Revisionist Petticoat Duel Period Comedy ‘Satisfaction’
• A TV Star Reckons With Her True Sexual Identity in Alyssa Aldaz’s Dreamlike Short ‘Beverly Heights’
• “I Wanted to Create Life on Screen”: Rohan Parashuram Kanawade Dissects His Award-Winning Debut ‘Cactus Pears’
• A Pregnancy Scare Descends Into Cinematic Comedy Chaos in Chad Corhan’s Rapid-Fire Absurd Short ‘Gas Station Sushi’
• Chi Thai Transforms Her Personal Refugee Trauma Into a Haunting Meditation on Survivor’s Guilt in ‘Lullaby’
• A Middle-Aged Woman’s Entire World Slowly Unravels in Nick Richardson’s Powerful Monologue Short ‘Still Life’
• Max Kane Excavates the Unknowable Complexity of Love and Loss in Visceral Short ‘Ah-Ma Burns’
• Ten Essential Short Films to Watch From Tribeca’s 2025 Lineup
• Louise Weard Confronts Gender, Sex Work and Queer Friendship in Indie Epic ‘Castration Movie i: Traps’
• Gerardo Coello Escalante Transforms Childhood Status Symbols Into Devastating Class Commentary in ‘Business Trip’
• Lucy Knox Weaves Voices of Adolescence Into a Poignant Snapshot of Youth, Growth and Modern Struggles in ‘Eighteen’
• Sci-Fi IVF Mystery Meets YouTube Storytelling in Uzo Oleh’s ‘Beth’, Channel 4’s First Digital Original Drama
• Daisy-May Hudson’s ‘Lollipop’ Is a Heartbreaking Portrait of Maternal Resilience and Devastating Systemic Failure
• Rolf Hellat Explores Sacred Mysteries and Bodily Transience in His Collaborative Experimental Documentary ‘Déjà Nu’
• Nat Gee Explores the Invisible Violence of Dismissed Female Pain in Her Atmospheric Psychological Thriller ‘Buried’
• A Lovelorn Girl Vies for Her Boyfriend’s Attention in Ada Player & Bron Waugh’s Whimsical Comedy ‘Spare Part’
• Lily Baldwin Challenges Cinematic Voyeurism Through Intimate Collaboration in Her Boundary-Pushing Doc ‘Ecstasie’
• A Second-Hand Sale Gone Wrong Véras Fawaz’s ‘Warm’ Traps You in a Terrifying Game of Power and Control
• A Neglected Young Man Seeks Belonging in the Wrong Place in Jeroen Kooistra’s Desolate Debut ‘Triton’
• Jordon Scott Kennedy Reignites the Joy of Working Class Childhoods in His BBC Comedy Short ‘Rocket Fuel’
• Brent Michal Presents An Off-Beat Excursion Into Modern Love In Toxic Romance Short ‘Ponytailhead’
• Jack King Traverses the Moral Wilderness of Childhood Cruelty in His Unsettling Drama-Thriller ‘Predators’
• James Nicholas Green’s ‘Victory To The Mimers’ Turns Silent Art Into a Roaring Satire On Class, Solidarity & Family
• Eva Blackwell-Rogelj’s ‘Watering Hole’ Scrutinises the Blurred Divide Between Female Empowerment and Exploitation
• A Communication Breakdown Reveals the Simmering Toxicity of a Relationship in Vida Skerk’s Cannes Premiering ‘Ether’
• A Confused Monster Finds Herself Adrift in a Surreal Seaside Town in Olivier Richomme’s Disorienting Short ‘Mush’
• VERSUS Reimagine Operatic Tradition Through the Contemporary Lens of Sydney’s Melting Pot in Triptych Short ‘Oleum’
• Sacred Vows Collapse Under Carnal Desire in Alexander Jeremy’s Psychodrama ‘The Consecration of a Perpetual Virgin’
• Picket Fence Perfection Unravels in Julia Godfrey & Will Abbott’s Unsettlingly Suburban Nightmare ‘Flattened’
• The WeAreDN Awards 2025 Winners
• Dan Braga Ulvestad Confronts the Unspoken Weight of Shared History in His Emotionally Raw Two-Hander ‘Park Benches’
• Giada Bossi Blurs the Space Between Film and Music Video in ‘To Call Home Always The Same Place’
• Time Stretches and Fractures in Louisa Connolly-Burnham’s Unflinching Exploration of Consent ‘The Ceiling’
• Craig Ainsley Blends Sci-Fi and Morning-After Awkwardness in One Night Stand Comedy ‘Everyone Does It’
• Demitri Zujew Crafts an Emblematic Tale Denouncing the Cult of Strength in His Disturbing Social Allegory ‘Crease’
• Martin Marko’s ‘At Sea’ Immerses Us in a Nautical Symphony of Raw Experience and Artistic Intuition
• Joshua Trigg’s ‘Satu – Year of the Rabbit’ Is a Triumph of Grit, 16mm and Truly Independent Filmmaking
• Riccardo Fusetti Gives the Carefree Lifestyle Fashion Film a Subversive Twist in Multiformat Short ‘Editorial’
• Johannes Moe Blurs the Psychiatrist-Patient Dynamic With Devastating Consequences in ‘Lighting Up the Darkness’
• Riffy Ahmed’s ‘The Call’ Presents an Improbable Hero in Her Tower Block Meditation on Intergenerational Bonds
• Directors Notes Presents: The WeAreDN Awards 2025
• Transactional Intimacy Morphs Into a Surreal Meditation on Consumption in Talia Shea Levin’s ‘Make Me a Pizza’
• Priscilla Galvez Serves up a Fresh Look at Female Creativity in Her Banned Body Horror Debut ‘A Fermenting Woman’
• Leah Loftin Adapts Frontline Victim Testimony of Putin’s Invasion In ‘Dictionary of Emotions in a Time of War’
• Sam Baron’s ‘Office Royale’ Is a Scathing Corporate Satire That Will Keep You Guessing Until the Final Bang
• Stuck in Rut a Couple Make a Risky Move To Save Their Marriage in Colin O’Toole’s Comedy ‘Cul-de-sac’
• Sandhya Suri on Crafting a Nuanced Crime Thriller About Violence Against Women in ‘Santosh’
• Politeness Becomes Horror in Dave Paige’s Socially Anxious Dark Comedy ‘Deep Tish’
• Banned in India, Beloved at BFI Flare: Onir’s ‘We Are Faheem & Karun’ Tells Kashmir’s First Queer Love Story
• 9 Standout Short Films From BFI Flare 2025
• A Refugee Flees Her War-Torn Home in Leve Kühl’s Empathetic UNHCR Short ‘Through My Eyes’
• ‘Sister Midnight’: Exploring Misanthropy and Marriage with Karan Kandhari
• A Bold Young Boy Embarks on a Daring Heist in Leo McGuigan’s Nostalgic Coming-of-Age Tale ‘The Invention’
• Alex Bush Explores the Dynamic Nature of Gender Expression and the Transgender Experience in Intimate Fable ‘Thaw’
• A Rancorous Soul Refuses a Last Chance for Redemption in David Leon’s Cautionary Tale ‘Converse Blues’
• A Darkly Obsessed Woman Contemplates the End of Everything in Matthew B.C.’s Comedy Short ‘Death!’
• The 13 Must-Watch Short Films at the 2025 SXSW Film Festival
• A Well Intentioned Street Preacher’s Premonition of Ruin Ultimately Comes to Pass in Lucas Vilicich’s ‘Luddite’
• Gregory Shell Manifests the Destructive Nature of Violence and Trauma in His Emotionally Charged Short ‘Fire’
• A Roundup of the BFI Future Film Festival 2025
• Emotional Chaos and Bad Habits Erupt for a Pair on a Blind Date in Tim Hendrix’s Playful Short ‘Baggage’
• 11 Outstanding Short Films From the 18th BFI Future Film Festival
• The Discovery of an Intimate Gold Mine Threatens a Couple’s Love in Krit Komkrichwarakool’s Romance Drama ‘Auganic’
• How Legendary Animator Daisuke Nishio Joined Toei Animation & Directed the Studio’s First Oscar Nominated Short
• Bill Morrison Unveils the Power of Contemporary Archive in ‘Incident’ a Harrowing Exploration of Police Collusion
• Cindy Lee & Darwin Shaw Explore the Human Cost of Conservation in Their Oscar Nominated Short ‘The Last Ranger’
• The Art of Minimalism: Shirin Sohani & Hossein Molayemi on Oscar Winning Animation ‘In the Shadow of the Cypress’
• An Online Annoyance Triggers a Complete Identity Crisis in Victoria Warmerdam’s Oscar Winning ‘I’m Not a Robot’
• Adam J. Graves’ Oscar Short ‘Anuja’ Is a Powerful Portrait of Sisterhood & Resilience in Delhi’s Garment Industry
• Breakfast With “A Room Full of Bald Men”: The Unlikely Inspiration Behind Nicolas Keppens’ ‘Beautiful Men’
• 10 Shorts That Demand Attention From Clermont-Ferrand International Short Film Festival 2025
• How a Theatre Full of Disgusted Kids Inspired Loïc Espuche to Create the Oscar Nominated Short ‘Yuck!’ (Beurk!)
• Molly O’Brien’s ‘The Only Girl in the Orchestra’ Celebrates a Life Well Lived as a Musician at the Vanguard
• One Man Makes a Courageous Stand in Nebojša Slijepčević’s Oscar Drama ‘The Man Who Could Not Remain Silent’
• José Prats Reminds Us To Honour Our Parents With His BAFTA Nominated Short Film ‘Adiós’
• A Party Enigmatically Descends Into a Symphony of Chaos in Luke Eberl & Edgar Morais’ ‘We Won’t Forget’
• A Father’s Loneliness Erupts Corporeally In Matty Crawford’s SXSW Winning BAFTA Body Horror ‘Stomach Bug’
• A Singular Young Man’s Resiliency Captures the Collective Horrors of War in Franz Böhm’s ‘Rock Paper Scissors’
• Robin Shaw on the Pressure of Adapting Beloved ‘Mog’s Christmas’ for His BAFTA Nominated Animated Short
• A Woman Liberates Herself Through Booze and Dance in Dasha Gushchina’s Music Video for Musia Totibadze’s ‘Goodbye’
• Theo Panagopoulos Questions the Role of Image Making in Archival BAFTA Doc ‘The Flowers Stand Silently, Witnessing’
• The 11 Short Films You Can’t Miss at the 2025 Sundance Film Festival
• Brennan McGee Charts a Bizarre Journey Through the Human Psyche in Uncanny Short ‘Wesley Loses His Penis’
• Private Island’s ‘Meme, Myself and A.I.’ Dissects the Human Condition Through a Satirical Synthetic Nightmare
• A Supposed Bank Heist Expresses the White Hot Rage of Suppressed Speech in Andrew De Zen’s ‘The Robbery’
• Presenting 10 Emerging Fresh Voices From London Film School’s 2025 Graduate Showcase
• A Woman Endures the Silent Harassment of an Outwardly Innocuous Everyday Encounter in Debbie Howard’s ‘Safe’
• BAFTA Film Committee Chair Anna Higgs on the Awards, Membership and Building an Equitable British Film Industry
• T A P E Collective’s Isra Al Kassi on Building an Enduring Platform Addressing the Lack of Onscreen Representation
• William Grave’s ‘In My Day’ Peels Back the Layers of Bigotry With a Surprising Revelation
• How Abandoning Filmmaking and Embracing Rural Life Inspired Pernille Kjær’s Short Film ‘Forår’ (Spring)
• Satya Gautam & Gili Twena Capture the Rhythms of Anxiety in Their Instinctual Dance Film ‘The Butterfly’
• Marie Valade Explores a Woman’s Complex Relationship With Her Breasts in Animated Short ‘Lolos’ (Boobs)
• Kneecap Director Rich Peppiatt Top Ten Feature Films of 2024
• Sarah Smith Top Ten Feature Films of 2024
• Neil Fox Top Ten Feature Films of 2024
• James Maitre Top Ten Feature Films of 2024
• A Child Navigates a Fantastical Dreamscape to Escape Their Harsh Reality in Leo Metcalf’s ‘A Time Before’
• A Mother Learns the Horrifying Cause of Her Sudden Inability to Enjoy Sex in Jessica Barr’s Revenge Short ‘Tight’
• A Clown’s First Birthday Party Gig Devolves Into a Pitched Battle of Masculinity in Iris Breward’s ‘Sidney’
• Toni Hipwell’s ‘The Lure’ Reels in the Terror as a Fisherman Discovers He’s Not Alone Hoping for a Bite
• A Double Booked Airbnb Causes Poolside Chaos in Michael Rees’ Comedy Short ‘His Parents Never Taught Him’
• Joshua Trigg Hits the Road in Search of Identity in Laos Set Debut ‘Satu – Year of the Rabbit’
• As Trust Is Broken Toxic Masculinity & Violence Take Hold in Christopher Andrews’ BIFA Thriller ‘Bring Them Down’
• A Misanthropic Newlywed Stumbles Through the Chaos of Adulting in Karan Kandhari’s Feature Debut ‘Sister Midnight’
• Ben Lankester Immerses Us in the Most Challenging Night Shift of a Newly-Qualified Midwife’s Career in ‘Delivery’
• How Nina Gantz Found the Perfect Balance Between Sadness and Humour in Award Winning Short ‘Wander to Wonder’
• A Belfast Hip-Hop Trio Mount Their Own Form of Protest to Protect Their Heritage in Rich Peppiatt’s ‘Kneecap’
• Talking Practical FX and the Power of a Great Title With Eros V Director of BIFA Short ‘Meat Puppet’
• A Mother Finds Refuge In Her Own World With Her Blow-up Doll in Chanelle Eidenbenz’s ‘Elephant in the Room’
• A First Date Gets Awkward When a Debate Over Eurocentrism in Food Arises in Werner Vivier’s ‘Fine Dining’
• James Krishna Floyd on Moving Into the Director’s Chair for His Multi-BIFA Nominated Debut ‘Unicorns’
• A Venting Session Between Friends Quickly Spirals Out of Control in Kyle Jon Shephard’s Surrealist Comedy ‘Stress Head’
• A Young Woman Reckons With the Questionable Past Behaviour of a Childhood Friend in Hannah Levin’s ‘Golden Child’
• Alexandra Qin Unveils the Impacts of Sex Addiction on Two Sisters’ Relationship in Her Sobering Drama ‘Thirstygirl’
• Sasha Nathwani’s ‘Last Swim’ Envelops Us in the Nostalgic Ebullience of One Last Carefree Day
• Stefan Hunt Skewers Aussie Masculinity and Piss Up Culture in Raucous Dance Short ‘Yeah The Boys’
• Damiano David Enters a New Career Chapter in NONO & Rodrigo’s Transformative Music Video ‘Silverlines’
• Tomas Kamphuis’ Poetic Documentary ‘Art Chooses Us’ Contemplates What It Means to Be an Artist in Africa
• Marcus Anthony Thomas Crafts a Unique Exploration of What Makes Us Human in Minimalist Sci-Fi Short ‘Space Plug’
• Jordan Chandler Plunges Us Into a Mother’s Relentless Surreal Nightmare in Her Psychological Wild Ride ‘Brutal’
• Sophie Compton & Daisy-May Hudson’s ‘Holloway’ Interrogates the Root Causes and Lasting Trauma of Incarceration
• Manchester Animation Festival 2024 Preview
• Torn Between Ambition and Life’s Competing Demands a Woman Faces Her Fragmented Personas in David Findlay’s ‘Faces’
• A Female Bull-Jumper Holds Her Own in a Sacred Androcentric Arena in Joe Weiland & Finn Constantine’s ‘Marion’
• The Intense Rhythm of an Urban Landscape Drives Or Schraiber’s Frantic Yemen Blues Music Video ‘Prayers’
• A Nun Untangles the Threads of Her Sense of Self in Cécile Embleton & Alys Tomlinson’s ‘Mother Vera’
• A Desperate Woman Visits the Site of Her Brother’s Death in Nicholas Payne Santos’ Horror Short ‘Strange Creatures’
• An Escaped Convict Encounters Two Immortal Time Travellers in Michael Anthony Kratochvil’s ‘Sweet Mary, Where Did You Go?’
• Freddie Bonfanti Unearths Dark Truths in the Woods in His Urban Weird Horror Short ‘Treeline’
• A Roundup of the London Film Festival 2024
• A Mother’s Contentment Is Thrown Off-Balance When Her Daughter Returns Home in Lily Weisberg’s Drama ‘Working Summer’
• Sandhya Suri’s Debut ‘Santosh’ Navigates a World of Power, Prejudice and Corruption Through a Distinctive Female Gaze
• Marco Pattarozzi Weaves a Devastating Tapestry of Lives Forever Changed in His Stirring Drama Short ‘Butterflies’
• Announcing the BIFA Best Debut Director 2024 Longlist
• VERSUS Pay Homage to Australia’s Cult Cinematic History in Party Dozen’s ‘Coup de Gronk’ Music Video
• Iggy London’s Dreamlike ‘Area Boy’ Finds a Young Man Questioning His Place in the World Ahead of His Baptism
• Ten Incredible Shorts to Add to Your London Film Festival 2024 Watch List
• Dark Magic Takes Hold in Harv Frost’s Giallo-Inspired The Last Dinner Party Film ‘Prelude to Ecstasy’
• Decisions Are Made by Bickering Committee in Samuel Häkkinen & Henna Välkky’s Comedy ‘Verdict 30001: The Cookies’
• A Woman Is Engulfed by Mexico’s Broken Bureaucracy in Alejandro Gerber Bicecci’s Feature ‘Dead Man’s Switch’
• Strut Into the Sordid Fetishised Underworld of LA’s Karaoke Bar Scene in Naomi Christie’s ‘Object of Desire’
• 68th London Film Festival Preview: Venture Forth
• A Wrestler Grapples With His Desire to Speak Out in Amir Zargara’s Tense Political Drama ‘A Good Day Will Come’
• A Woman Experiences the Fullness of Existence Across Time in Anna Guseva’s Dance Film ‘Tem Po Ra Ry’
• Two Women Ruminate on the Essence of Life and the Paths They Took in Samantha Soules’ Introspective ‘Birdwatching’
• A Shocking Discovery Upsets the Bliss of a Newly Cohabiting Couple in Chris Parton’s Comedy ‘SVEN’
• Racial Tensions and Power Imbalances Rage Through the Battleground of Daniel Rands’ Classroom Set Drama ‘Margin’
• Naaman Azhari Explores the Gulf Between a Mother’s Expectations and Her Son’s Reality in Rotoscoped Film ‘Threaded’
• Sam & David Cutler-Kreutz’s Oscar Nominated ‘A Lien’ Finds a Young Family Crushed by a Vicious Immigration Process
• Vincent Catel Manifests a Free-Spirited Eternal Island Party in Hedonistic Music Video ‘She’s Gone, Dance On’
• A Risk Averse Sceptic Unwittingly Finds Himself Part of a Wellness Cult in Leo Villares’ Comedy Short ‘The Farm’
• Ali Sohail Jaura’s ‘Murder Tongue’ Highlights One Family’s Agony Amidst the Bloody Hatred of Operation Clean-up
• Ben Galster Extols the Sensuous Liberation of Gay Sex and Queer Relationships in ‘Ecstasy Homosexuality’
• Ten Cutting-Edge Short Films Screening at Bolton Film Festival 2024
• Warring Neighbours Engage in an Arduous Territorial Battle in Lado Kvataniya’s Symbolic Manizha Music Video ‘GUN’
• A Father Faces a Burden He Can’t Quite Grasp in Jesse Lewis-Reece’s Moving Drama Short ‘Mother of Mine’
• A Son Sacrifices His Sense of Self to Provide His Demented Mother Solace in Raphaël Pettigrew’s ‘I Remember’
• Celebrating the Innovation and Growth of Conero Film + Adv 2024
• Pack Mentality Transforms Idle Teens Into a Feral Gang in Barnaby Blackburn’s Anxiety Inducing Drama ‘Pylon’
• Michael Jobling’s ‘The Walk’ Captures Britain’s Disenfranchised Lives Via One Man’s Trek Through Nature
• The Loss of a Pregnancy Leads a Bride-To-Be Down an Impulsive Road Towards Healing in Rachel Sweeney’s ‘Fish Bowl’
• Robert Higgins & Patrick McGivney Explore the Tenderness of Lifelong Male Friendships in Drama Short ‘Drifting’
• Folu Odimayo’s Woodland Dance Film ‘On The Cut of Three’ Is a Dreamlike Exploration of Myth and Archetype
• A Reluctant Witch Comes to Realise Her Own Potential in Lauren Pringle’s Atmospheric Movement Film ‘Witch-Hunt’
• A Homeless Ballet Dancer Prepares for a Life-Altering Audition in Jason Hogan’s Tense Drama ‘Twenty’
• Peter Franklyn Banks’ Drama ‘Nearly Never’ Finds an Injured Footballer Isolated in a Strained Healthcare System
• Sophie King Flips the Script on the Morning After Pill in Contraception Comedy ‘Does Your Condom Make You Fat?’
• The Honeymoon Is Over Before It Begins in Brendan Beachman’s Darkly Comic Marriage Drama ‘A Wedding Day’
• An Overworked Game Developer’s Multiple Personalities Revive a Deeply Buried Memory in Guen Murroni’s ‘As for Me’
• David Robinson-Smith’s ‘We Used To Own Houses’ Vividly Conveys the Despair of Those Caught in the Housing Crisis
• Rudá Santos’ ‘Vibrations’ Sees A Young Girl’s Surprise Survival Lead a Mother to Rebel Against Those in Power
• Balázs Simon & Cátia Abreu’s ‘Wake Up Pass Out’ Finds a Zoned Out Nightclubber Encountering a Grotesque Monster
• Harry Plowden’s Scuzzy Animation ‘All Gucci My Broski’ Chronicles a Young Man’s Filthy Inner Monologue
• Nathan Ginter’s Darkly Comic Body Horror ‘The Third Ear’ Sees a Nude Model’s Self-Image Begin to Spiral
• A Chance Encounter With a Hustler Shifts a Suicidal Young Man’s Perspective in Lovell Holder’s ‘You Say Hello’
• Pulkit Arora’s ‘Anu’ Explores Grief and Displacement Through the Confined Lens of a Solitary Hotel Room
• Amelia Sears’ ‘Three’ Dives Into the Psyche of a New Mother Fervently Grappling With Her Identity
• Kat Mills Martin Deconstructs the Regressive Notion of the Obedient Mother in Comedy Drama ‘Celeste in Spring’
• A Cursed Man’s Mounting Misfortune Plays Out for All to See in Maxwell Hughes Klaiber & Jordan Moran’s ‘JOB’
• In Stefano Usberghi’s Pulsating Genetik Music Video ‘Sanctuary’ a Priest Treats Addiction With Sonic Catharsis
• A Couple Bear the Cost of the Contaminated Blood Scandal in Luke Shelley’s ‘What We Wished We Could Be’
• Max Novick’s Relationship Dramedy ‘Poly’ Navigates the Delicate Dance of Power in a Pregnant Throuple
• Ryan Walker-Edwards Explores the Joy of Black Queer Relationships in Playful Hook-Up Short ‘MAN>CODE’
• Hazel Mckibbin Scrutinises Intricate Gendered Power Dynamics In Her Subtextual Drama ‘She Always Wins’
• A Major Injury Forces a Professional Footballer to Question His Sense of Self in William Miller’s ‘Broke’
• An Enigmatic Dominatrix Upends a Couple’s Stagnant Relationship in Carlen May-Mann’s ‘Romance Package For Two’
• Bottled up Emotions Become Primed to Explode in Andrew De Zen’s Freeing Dance Short ‘Let This Feeling Go’
• A Middle Aged Man Frenziedly Clings Onto Illusory Notions of Youth in Jens Schillmöller’s ‘Pura Vida Ibiza’
• Zen Pace’s Poetic Experimental Short ‘Little Mirror’ Is a Therapeutic Love Letter to the Inner Child
• Manish Khushalani Portrays the Delicacy of Relationships in His Vibrant Dreamlike Music Video ‘Jhula’
• A Woman Gets More Than She Bargained for When She Orders a Sophisticated Sex Toy in Hunter Allen’s ‘Roger’
• A Desperate Romantic Is Prescribed a Love-Cynical Rebound in Julie Magnaudet’s Conceptual Rom-Com ‘Broken Hearts’
• Christa Haley Captures an Intense Moment of Female Vulnerability in Her NYU Tisch Short ‘Swim Captain’
• Hysteria and Paranoia Take Hold in Joe Williams & Charlie Edwards-Moss’ Folk Horror Short ‘O, Glory!’
• Miranda Stern’s Cathartic NFTS Documentary ‘milk’ Is an Intimate Exploration of Maternity, Addiction and Loss
• Audrey Mascina’s ‘Ludo’ Pointedly Subverts Our Expectations of Two Women Stumbling Down a Deserted Road at Night
• A Teen Girl’s Boundaries Are Irrevocably Crossed in Jaja Meloche’s Coming of Age Drama ‘Grown’
• A Loyal Steed Eternally Awaits the Impossible Return of Its Knight in Enea Colombi’s Fashion Film ‘Demon’
• A Couple Investigate Their Mutating Cloning Ability in Peter Collins Campbell’s Sci-Fi Short ‘Variations on a Theme’
• A Meet Cute Rapidly Descends Into a Quagmire of Modern Day Relationship Hell in William Kenton’s ‘Outdoor Seating’
• The End of the World Births a Burning Passion in Marek Partyš’ Zany Collage-Like Music Video ‘Burnout’
• Hervé Demers Tackles Themes of Deindustrialisation and Community in Documentary Short ‘Once the Dust Has Settled’
• A Low-Ranking Worker Finds Himself in the Eye of a Viral Data Leak Storm in Matt Porter’s ‘See Saw’
• Alexandre Richard’s Striking Mada Mada Music Video ‘NonNonNon’ Wanders Through a Dreamlike Journey of Apprehension
• A Cat Sitting Mishap Leads a Woman to Fall into a Spiral of Self-Recrimination in James Arden’s ‘Sitter’
• Sirius’ ‘Morning Interlude’ Finds a Fractious Young Couple Reconciling Their Differences After a Long Night
• The True Gravity of a Devious Cheater’s Actions Send Shock Waves Through Matt René’s ‘What We Did Yesterday’
• A Honey-Covered Loner Seeks Love in Alice Fassi’s Gooey Practical Effects-Driven Music Video ‘Honey Boy’
• An Unexpected Knock on the Door Shatters a New Home Owner’s Notions of Security in Liam White’s ‘Housewarming’
• A Cocksure Man’s Bravado Is Put to the Test in Seb Tabe’s Youwasntder & Nike Short ‘Back Your Chat’
• A Lonely Spinster Slowly Disappears Into a Void of Insignificance in Luke Roulstone’s Comedy Horror ‘Shelf Life’
• Age Proves to Be No Obstacle to a Long Lost Love Affair in Katia Shannon’s ‘Us & In Between’
• 10 Must-Catch Shorts From 2024’s Annecy International Animation Film Festival
• Tsz-wing Ho Reinterprets the Geometric Nature of Hong Kong’s M+ Museum in Abstract Animation ‘& More’
• Elahe Esmaili Documents the Reaction to the Woman, Life, Freedom Movement on a Familial Level in ‘A Move’
• Liam Pinheiro-Rogers’ ‘London’s Forgotten’ Asks Why the Pernicious Cycle of Knife Crime Refuses to End
• Duncan Cowles on His Signature Deadpan Style and ‘Silent Men’ the Feature Film Culmination of a Decade of Shorts
• The Voices of Palestine’s Oppressed and Colonised Speak Out in Zaya & Maurizio Benazzo’s ‘Where Olive Trees Weep’
• Valentina Khodnevich Celebrates the Everyday Routines of Human Life in Her Cyclical 16mm Dance Film ‘Sun’
• A Woman Finds Herself Inundated by an Overwhelming Squall of Internal Voices in Rosanagh Griffiths’ ‘Dope Fiend’
• A Toxic Relationship Becomes an All-Encompassing Nightmare in AJ Prager’s Short ‘Seeing Other People’
• Martí Arbaizar Reveals a Shared Unity Through Dance and Rhythm in ‘I Shut My Eyes in Order to See’
• A Disconnected Woman Roams Through the Remnants of Her Relationship in Kate Harpootlian’s ‘Anyone Who Knows’
• Neil Fox Posits Why Concert Films and Music Docs Transcend Brand Marketing in New BFI Book ‘Music Films’
• A Recent Graduate Attempts to Navigate the Maddening Drudgery of a Retail Job in Alec Pronovost’s ‘Pro Pool’
• Emma Branderhorst Presents an Alternative to the Perilous Repercussions of Sexting in Campaign Short ‘Piece of Me’
• Julia Zlotnick Portrays a Young Man’s Crumbling Mental Health in Frenetic Dance Short ‘Seeking Thomas’
• A Causal Game Confounds a Socially Awkward Guy in Kyle Jon Shephard’s ‘Tell Me Where I’m Going Wrong’
• Okay Kaya Finds Herself Amidst a Surreal, Sweltering Fantasy in Julia Patey’s Music Video for ‘The Groke’
• Mansi Maheshwari Depicts the Nightmarish Nature of Parental Lies in Feverish Animated Cannes Short ‘Bunnyhood’
• Chino Amobi Embarks on a Modern Day Odyssey in Nathan De Paz Habib’s Magical Realist Adaptation ‘Eroica’
• Ella Carey Plunges Us Into the Cloudy Area of Consent in Her Evocative Teen Drama ‘Prawn’
• Beej Harris’ Coram ‘School Exclusions’ Film Imagines a Promising Student’s Meteoric Rise Snuffed Out by Expulsion
• Nature and Memories Curate a Spiritual Release in Nicola Martini’s Commercial Short ‘The Shape of Life’
• Taylor Thompson Shows Us Exactly How to Not Make Friends in His Bungling Comedy Short ‘People Person’
• Thousands of Women’s Experiences Coalesce Into One Exquisitely Painful Day in Bren Cukier’s ‘Thursday’
• The Gaping Chasm Left by a Missing Girl Is Quickly Inhabited by a Lonely Opportunist in Jimmy Goldblum’s ‘Jude’
• Adi Halfin Finds Grace Amongst the Sweat in Her Kinetic Gym Fashion Short ‘There’s Beauty in the Burn’
• Youthful Abandon Clashes Against the Burdens of Impending Adulthood in Melina Valdez’ ‘Weapons and Their Names’
• David Robinson-Smith Depicts the Lingering Nature of Trauma and Guilt in His Searing Drama Short ‘Mud Crab’
• Shapxo’s Fashion Film ‘Chasing the Drums’ Envisions a Pan-African World Where Light Is Born From Darkness
• Multi-Award-Winning Composer Hollie Buhagiar on the Art of Crafting Bespoke Scores for Film, TV & Games
• An Accidental Murder Leads to Escalating Chaos in James Button & Kristaps Kazaks’ ‘The Corpse Series’
• Gianna Mazzeo Chronicles an Unsung Symbol of Lesbian Community in Kinetic Doc ‘The History of the Carabiner’
• WeAreDN Awards Winners Announcement
• Aleksandra Kingo Pays Homage to the Fine Art of Avoidance in Comedy Short ‘An Ode to Procrastination’
• A Friendship Is Irrevocably Changed After the Confession of a Dark Desire in Sebastian Delascasas’ ‘Promise’
• A Jaded Jester Discovers a Sinister Plot Against Him in Gareth Bowen’s Darkly Comic ‘The Licensed Fool’
• Nick Bentgen Chronicles the Adventurous Outlook of a Teenage Self-Love Collective in Documentary Short ‘#LoveYourz’
• A Mysterious Beam of Light Brings Hope in Tomas Kamphuis’ Visually Lavish Sci-Fi Fashion Short ‘EXILES’
• Louis Moir’s ‘A Brush With Comedy’ Explores the Seemingly Conflicting Relationship Between Comedy and Art
• An Expecting Young Father’s Traumatic Past Threatens to Overshadow His Happy Present in Luke Brookner’s ‘Home’
• Nathan Morris’ Morning After Pill Comedy ‘My Eyes Are Up Here’ Exposes the Discriminatory Barriers of an Ableist World
• Cameron Thuman’s Yukon-Set Short ‘Suspended in Space’ Finds Two Skiers Embracing the Magnificent Frozen Winterscape
• Freddie Leyden Draws From the Well of 70s Folk Horror for His Ethereal Music Video ‘The Dream Of Delphi’
• A Runaway Bride Can’t Escape Her Past in Austin Hutching’s Striking Music Video for Kat Duma’s ‘So Long’
• A Pet’s Ill-Fated Demise Leads a Guilty Housemate to a Bizarre Remedy in Dark Comedy ‘Dead Cat Film’
• Amaka Lin’s Experimental Dance Short ‘Stasis’ Finds an Ancient Force Inspiring a Peculiar Transformation
• An Unnerving Stranger Disrupts a Fireside Get Together in Joel Jay Blacker’s Comedy ‘Don’t Let Kyle Sit Down’
• A High Schooler Has an Unusual Request for His Classmate in Christian Meola’s Drama ‘The Expanding Horizon’
• A Dubious Pair With Ulterior Motives Spin an Unbelievable Yarn in Sean Lyons’ Political Satire ‘Smoking Dolphins’
• A Viral Internet Moment Propels a Leeds Bakery Into the Limelight in Alison Grasso’s Documentary ‘Hope You Fail’
• Screenwriter Colby Day on Penning Netflix’s Adam Sandler Starring Sci-Fi Drama ‘Spaceman’
• Romance is as Mysterious as the Currency Market in Francisco Lezama’s Berlinale-Winning ‘An Odd Turn’
• How a Desire for Environmental Harmony Led Emily Halaka to Create Animated Fever-Dream Short ‘Organic Matter’
• Journey Through a Young Woman’s Battle With Mental Health and Self-Acceptance in Melanie Cura Daball’s ‘Trust Me’
• Harry Price Explores the Disorientating Nature of Unhealthy Dependant Relationships in Dance Short ‘LIMPET’
• Lies of Optimism Weigh on a Struggling Father in Remi R.M. Moses’ Heartfelt Graduate Short ‘Saving Art’
• How a Sextortion Scam Inspired Eugene Kolb’s Imaginative Exploration of Masturbation Shame ‘ur heinous habit’
• Jerome Yoo Encapsulates the Chaotic Abandon of Self-Centred Youth in Fantastical Short ‘River Boy Blues’
• Henry Behel Chronicles the Life-Affirming Perspective of a Daredevil Pilot in Documentary Short ‘26,000 Days’
• An Embittered Son Plots His Revenge on the Football Hooligans Who Attacked His Father in Greg Cruttwell’s ‘Animals’
• Bianca Poletti’s Meta Comedy ‘Ultra Low’ Pokes Fun at the Farcical Battle of Indie Filmmaking on a Shoestring
• A Woman Grapples With Her Obsessive Death Anxiety in Charlotte Hamblin’s Tragicomedy ‘Everybody Dies…Sometimes’
• Presenting the Inaugural WeAreDN Awards
• Liliya Syvytska Traverses the Emotional Stages of War Displacement in Her Stunning Experimental Dance Film ‘ROOTS’
• A Seasoned Veteran Tries to Adapt to Japan’s Modern Entertainment Industry in Anna J. Takayama’s ‘The Voice Actress’
• The Best Short Films at SXSW 2024
• Nick Aldridge Initiates a Critical Mental Health Conversation in ‘The Men And The Chair In Front Of My Window’
• Nicholas Woytuk’s ‘The Alchemy of David’ Finds a Renowned Artist Reflecting on His Place in the Digital Age
• Paul Chambers’ ‘Three Bull-Mastiffs in a Kitchen Corner’ Viscerally Portrays a Life in the Grip of Addiction
• A Vulnerable Man Attends a Self-Help Class to Address His Declining Mental State in Ned Donohoe’s Drama ‘The Forum’
• Kali Kahn Captures the Nuance of a Girl Growing Into a Woman in Her Coming of Age Short ‘Father’s Day’
• Maegan Houang Depicts the Genesis of America’s Asian Exploitation in Drama ‘Astonishing Little Feet’
• An Iranian Schoolgirl Weaves Stories Into the Fabric of Her Clothes in Yegane Moghaddam’s Oscar Short ‘Our Uniform’
• Ancient Chinese Tea Culture Lives on in Anna-Claria Ostasenko Bogdanoff’s Cadent Documentary ‘Her Scents of Pu Er’
• Ten Standout Shorts From Berlinale 2024
• A Couple’s Therapist Brings Them Together in the Most Unanticipated Way in Daniel Sinclair’s ‘The Breakthrough’
• A Personal Search for Identity Is Reflected Through a Wider Geopolitical Context in S. Leo Chiang’s ‘Island in Between’
• Ten Eye-Catching Shorts at the 2024 National Film and Television School Graduate Showcase
• Ben Proudfoot & Kris Bowers Celebrate the Unsung Heroes of L.A. Music in Oscar Winning Doc ‘The Last Repair Shop’
• Jerusha & Jared Hess’ Oscar Nominated Animation ‘Ninety-Five Senses’ Is an Ode to Our Sensory Experience
• Vincent René-Lortie’s Oscar Short ‘Invincible’ Tenderly Depicts the Duality of a Troubled Teen’s Mental Health Crisis
• A Schoolgirl Attempts to Navigate the Reality of Her Fractured Memories in Victoria Singh-Thompson’s ‘14 in February’
• Christopher Pickering Blows the Lid off the Secret Science Behind Snack Serving Sizes in Short Film ‘Jimmy Boden’
• Tal Kantor’s Oscar Nominated ‘Letter to a Pig’ Finds a Schoolgirl Transported on a Traumatic Inner Voyage
• A Shared Loss Forges an Unlikely Bond in Lasse Lyskjær Noer’s Oscar Nominated Dark Comedy ‘Knight of Fortune’
• Gabriel Caste’s ‘Are You Awake?’ Explores the Debilitating Nature of Existential Dread Lurking in Our Subconscious
• A Rite of Passage Fishing Ritual Challenges a Father-Son Relationship in Ross Stringer’s BAFTA Winner ‘Crab Day’
• An Unexpected Pregnancy Forces a Single Mother to Cross State Lines in Nazrin Choudhury’s ‘Red, White and Blue’
• An Insuppressible Barrage of Grief Courses Through Misan Harriman’s Oscar Nominated Debut Short ‘The After’
• A Relationship Revelation Leads to a Spiral of Insecurity in Sam Baron’s Tragicomedy ‘Tall Dark and Handsome’
• A Dark Secret Threatens to Disrupt a Perfect Family Gathering in Simon Woods’ BAFTA Debut ‘Such a Lovely Day’
• A Young Clubber Dissociates From Reality on a Wild Trip in Sami Schinaia’s Stylistic Short ‘LOVE U 2CB’
• An Imbalanced Friendship Plays Out Through a Series of Bizarre Flashbacks in Nathan de Paz Habib’s ‘La Bicicletta’
• Samantha Moore Champions the Curative Power of Knitting in Her BAFTA Nominated Stop Motion Doc ‘Visible Mending’
• Elham Ehsas Spotlights the Devastating Loss of Afghan Women’s Liberties in BAFTA Nominated Short ‘Yellow’
• An Unsavoury Opportunity Offers a Lucrative Solution for a Desperate Woman in Giuseppe Garau’s ‘L’Incidente’
• 10 Stellar Shorts by Upcoming Filmmakers at London Film School’s 2024 Graduate Showcase
• Night Lovell Encounters a Series of Strange Episodes in Avery Stedman’s Video for ‘My Day Is Ruined!’
• Yasmin Afifi’s BAFTA Winner ‘Jellyfish & Lobster’ Extols the Joys of Living Without Conforming to Expectations
• Jon Ryan Sugimoto’s ‘Full Time’ Is a Stark Warning Against Falling Into the Trap of the 9 to 5 Grind
• Kevin Staake’s Space-Set Drama ‘Noah’s Belt’ Finds Prisoners of Opposed Warring Nations Sharing a Cell
• A Screenwriting Professor Experiences a Kafkaesque Descent in Harry Sherriff’s ‘Jeremy: A Nightmare’
• Conor Dooley’s Sprawling Short ‘Gold and Mud’ Tells a Lifelong Story of Love and Loss via a Single Face
• A Shy Englishman Abroad Isn’t Quite Able to Read Between the Lines in Edoardo Ulivelli’s Flirtatious ‘Lo Sguardo’
• A Forgetful Spouse Sparks Marital Disharmony in Arne Gjelten’s ‘The Best Day of Our Lives’
• Imminent Death Forces a Wall Street Suit to Assess Her Boujee Life in Tomson Tee’s Comedy ‘click, click, BOOM!’
• Two Warring Sisters’ Desperation Reaches Its Peak in Tom Berkeley & Ross White’s Bleak Western ‘The Golden West’
• A Stagnant Relationship Reaches a Theatrical Crescendo in Nick Rutter’s Dark Comedy Musical ‘Skewered’
• Jeanie Finlay Top Ten Feature Films of 2023
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• A Filipino Immigrant Worker Battles the Horrors of Assimilation in Paris Zarcilla’s Acerbic Debut ‘Raging Grace’
• James Maitre Top Ten Feature Films of 2023
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• Vinnie Jones Deals With Santa’s Naughty List in Andzej Gavriss’ Satirical WoT Branded Spot ‘Never Going Back’
• Dillon Francis Flies Through a Mind-Bending Involuntary LSD Trip in Parker Seaman’s ‘LA On Acid’
• A Man Bungles Through Life With a Complete Lack of Self-Awareness in Jonathan Salmon’s Comedy ‘Life of Brad James’
• Repressed Family Trauma Rears Its Ugly Head in Tracy Mathewson & Kate Winter’s Psychological Trip Drama ‘ORTOLAN’
• A Mother and Son Embark on a Surreal Day Out in Tom Stuart’s Emotive Comedy Short Debut ‘Good Boy’
• How the Limitless Borders of Abstract Art Are Inspiring the Unmistakable Aesthetic of Tsz-Wing Ho
• An Isolated Dog Walker Encounters a Disconcerting Loner in Rob Price’s Tense Thriller ‘Strangers’
• A Primeval Outpouring of Emotions Overwhelms a New Mother in Phoebe Arnstein’s ‘If You’re Happy’
• Adolescent Reality Blurs Into the Surreal in Debby Friday & Nathan De Paz Habib’s Hybrid Music Video ‘Good Luck’
• Two Drunk Best Friends Demonstrate the Depths of Their Love for One Another in Joel Jay Blacker’s ‘Shoes Off’
• A Nocturnal Predator Stalks a Young Woman in Nikita Kibirev’s Hyper-Stylised Animated Music Video ‘NOIR’
• Christian Avilés ‘Daydreaming So Vividly About Our Spanish Holidays’ Elegantly Captures the Tragic Spirit of Brits Abroad
• Tiger Ji Brings Humour and Heart to Life’s Final Feast With a Bowl of Noodles in ‘Death & Ramen’
• Beru Tessema’s BIFA Nominated ‘Lions’ Shines a Light on the Disparate Experiences of Poverty in Modern Day Britain
• A Woman Wonders if Her New Love Is Scamming Her in Lucy McKendrick & Charles Polinger’s ‘Fuck Me, Richard’
• Ng Choon Ping & Sam H. Freeman’s ‘Femme’ Exposes the Various Disguises We Use to Protect Our True Selves
• A Harrowing Phone Call Leads to an Illegal Immigrant’s Worst Nightmare in Joshua Okwuosa’s Suspensive Short ‘Okem’
• Reality & Fantasy Blur for a Delusional Production Assistant in Thomas May Bailey’s BIFA Nominated Debut ‘The Talent’
• A Knockabout Game of Football Becomes a Playground for Toxic Masculinity in Rumi Kaul’s Coming of Age Drama ‘Cage’
• Ella Glendining’s Debut ‘Is There Anybody Out There?’ Is a Captivating Battle Cry for the Disabled Community
• Two Thirty-Somethings Find Themselves in a Purgatorial State in Tom Gentle’s Existential Relationship Short ‘Close’
• Savanah Leaf’s Blistering ‘Earth Mama’ Lays Bare the Struggles of Marginalized Motherhood in a Flawed Care System
• A Woman Traverses Dimensions to a Place of Frozen Time in Kyryl Volovych’s Ghostly Music Video ‘The Sister Of’
• Kerry O’Neill’s Euphoric Dark Comedy ‘Walk Out Nice and Smooth’ Explores the Moral Ambiguity of a Mother’s Love.
• Tom C J Brown’s Painterly BIFA Animation ‘Christopher at Sea’ Portrays a Nautical Journey of Self-Discovery
• Abdou Cissé Examines the Inter-Generational Dynamics of a Nigerian Family in Hilarious Comedy ‘Festival of Slaps’
• Ryan Oligmueller’s Tender Stop Motion ‘Creature Comfort’ Finds a Lonely Creature Reflecting on His Past
• Cristina Sánchez Salamanca Illustrates the Fracturing of a Modern Family in Her Intimate Drama ‘Bebé’
• Emily Lucienne’s ‘Immaculate Deception’ Explores the Desperate Actions a Woman Takes As Her Options Narrow
• A Brother and Sister Share a Moment Through Time in David Findlay’s Music Video ‘Leaning into your Palms’
• Tim Ewalts’ Primal Woodland Drama ‘Undergrowth’ Finds Two Brothers in an Escalating Struggle for Power
• Five Decades of Songwriting Comes Together in Oliver Murray’s Doc ‘Now and Then: The Last Beatles Song’
• An Actor Auditions for a Secretive Project in Hugo De Sousa’s Satire ‘Je Ne Suis Pas Une Star de Cinéma’
• Chaconne Martin-Berkowicz Explores the Nuanced Complexity of Female Group Power Dynamics in ‘Scotty’s Vag’
• A Strange Noise in the Night Leads to a Spooky Encounter in Ben S. Hyland’s Comedy Horror ‘Bleep’
• A Mother’s Love for Her Son Is Tested by Radicalisation in Robin Summon’s Unsettling Drama ‘Victim’
• Sergii Shevtsov Takes a Metaphorical Ride of Whimsy With ‘the list of stupid questions i ask myself when i’m high’
• Mass Panic Erupts When a Series of Strange Events Occur in Tom Salvaggio’s News Serial Homage ‘Bellingham’s Belief’
• A Young Man Grapples With His Newly Found Independence in Sam Davis’ ‘You Know Where to Find Me’
• Tamsin Topolski Lays Bare the Dire Consequences of Toxic Positivity in Satirical Short ‘I’m a Good Person’
• Max Lincoln’s Comedy-Horror ‘Rhyme or Die’ Subversively Critiques the Merciless Nature of the Creative Industries
• Yanghuixiao Gao’s ‘What If’ Delicately Explores Notions of Motherhood From an Intergenerational Vantage
• A Dangerous Hazing Ritual Tests a Friendship in Sam & David Cutler-Kreutz’ Intense Drama ‘Flounder’
• A Horrifying Tour of Humanity Raises Questions of Free Will in Theo W Scott’s Animated Short Cuties
• Pola Rader Creates a Beguiling Romantic Hybrid Exploring the Shifting Phases of Love in ‘And Died Together One Day’
• ‘Poor Things’ Intimacy Coordinator Elle McAlpine on How She Creates Authentic on Screen Sex
• 10 Essential Short Films from London Film Festival 2023
• The Worlds of Dreams and Reality Blend Together in KINEMUS’ Kaleidoscopic Vonfelt Animated Music Video ‘Je Pars’
• Evil Reigns on Both Sides of the Camera in Josefin Malmén & David Strindberg’s Meta Short ‘A Bloody Mess’
• A Father Confronts His Past in Andrew De Zen’s Soulful Music Video for Alaskan Tapes’ ‘Of Woods And Seas’
• Alessandra Leone Literalises Fluidity as Form in Her Immersive Music Video for Zoë Mc Pherson’s ‘Lamella’
• Jon Olav Stokke Depicts the Farcical Absurdity of the Pistol Duel in His Witty Period Comedy ‘Deloping’
• 67th London Film Festival Preview: Stars Abound
• A Difficult Decision Causes a Looping Infinite Reality in Tom Moran’s Pastel-Coloured Fantasy ‘Romanesco’
• A Father Attempts Everything to Save His Son in Cliona Noonan’s Heartbreaking Animation ‘Soft Tissue’
• Boundaries Between the Real and Virtual World Are Pushed to the Absurd in Erin Murray’s ‘Anyway U Want It’
• Elizabeth Acevedo’s Dramatic Debut ‘Mirage’ Is a Heady Examination of the Role of Memory in Relationships
• Ten Remarkable Short Films To Catch at Bolton Film Festival 2023
• Griffin Wenzler’s Parking Lot Comedy ‘Horse Dreams’ Finds a Literary Agent Forced to Reveal Bad News
• Invisible Barriers of Self-Protection Are Challenged by Intimacy in John Mark Fitzpatrick’s Romance Drama ‘Outdoors’
• Eyecandy Founder Jacobi Mehringer on Building an Innovative Visual Techniques Library to Inspire Filmmakers Everywhere
• Arundati Thandur’s Modern Period Drama Mini-Series ‘I’m Dying Inside’ Eschews Outmoded Menstruation Advertising
• ShortsTV’s Head of Production Stéphanie Charmail Shares Her Essential Short Film Distribution Insights
• Aaron John McIntyre’s Hazy Short ‘Gomorrah’ Finds a Recovering Addict Relapsing Amongst Glasgow’s Dingy Backstreets
• A Seemingly Adorable Term of Endearment Reveals the Cracks and Toxicity of a Relationship in Dan Boaden’s ‘Pet Name’
• A Lifetime of Mutual Resentment Derails a Birthday Celebration in Emily Munster’s ‘Norma’
• Pain Manifests in Physical Form in Diana Antunes’ Dark, Enchanting Music Video for Ela Li’s ‘Choradeira’
• Georgios Hartofilakidis’ ‘Thursday Night Sorbet’ Lays Bare Awkward Romantic Interludes in a Late Night Rideshare
• Gareth Malone’s ‘Fly-Tipping’ Poignantly Presents the Painful Turmoil of Losing an Unborn Child
• Sarah Meital Benjamin’s Israeli Road Trip Short ‘Arava’ Eloquently Captures the Confusion of Youth
• Shihan Fé Blanca Fahim’s ‘Influential’ Shatters the Carefully Crafted Façades Presented by Our Online Selves
• Three New York Locals Argue About Pills, Politics and Semantics in Jon Ryan Sugimoto’s Bodega Comedy ‘Gut Punch’
• Mattia Fiumani on Championing Sustainability in the World of Advertising With New Festival Conero Film + Adv
• Michael Rees’ Comedy ‘Middle Sized Things’ Sees a Lecturer’s Nonsensical Theory Demolished by His Students
• Heather Lang & Purdie Baumann Reclaim the Sacredness of Dance and Community With Experimental Short ‘Simulation’
• A Couple’s Intimate Conversation Takes a Flagrantly Freaky Turn in Erin Murray’s ‘I Don’t Need to Know’
• An Injured Young Man Incites a Surreal Encounter in Björn Rühmann’s Psychological Thriller ‘MirrorMirror’
• Freddie Leyden’s ‘Under the Skin of a Guild: Wake of Lost Souls’ Exposes Britain’s Colonial Horrors Through Dance
• Jamie Fraser Surveys a Cross-Section of British Life in the Charming, Multi-Layered ‘Green Space’
• Reading & Leeds 2023 Cinema Tent…When the Music Stops You Don’t Have To
• Giorgio Miraflor’s ‘Me + Lee’ Is a Love Letter to the Intangible Energy That Exists Between Siblings
• Ten Must-See Shorts Screening at the 19th Annual Hollyshorts
• Benn Veasey’s ‘Vibration’ Is a Celebration of Dance and Community Manifested by Artificial Intelligence
• An Intense Game of Street Fighter Exposes Fragile Masculinity in Yuan Hu’s Frenzied Comedy ‘Sticks of Fury’
• Daniel Quirke Explains How Wax, Religion & DIY Instruments Inspired NFTS Short ‘The Song of a Lost Boy’
• Charlie Reader’s Emotionally Charged Short ‘Lobo’ Questions the Struggles of Belonging Through Heart Wrenching Loss.
• Serkan Bayrak’s ‘Civil Servant’ Encourages Us to Better Understand Ourselves Through the Eyes of Others
• Jim Vendiola’s Horror-Comedy ‘Pretty Pickle’ Reveals Why Our Lover’s Quirks Are Perhaps Best Left Alone
• Jessica Morris’ Tragicomedy ‘Round Robin’ Depicts the Surreal Reality Beneath a Faltering Family Facade
• Hilary Eden Immerses Us in the Fervently Charged World of a Y2K Teenager in Nostalgic Short ‘Bellybutton’
• BLOK Take Aim at the Warped Ideals of Honour in Darkly Comic Satirical Short ‘A Dishonourable Death’
• Jeff Ledellaytner & Ariel Costa Present a Lo-Fi Psychedelic Visual Feast With Super Bobby Music Video ‘Dirty City’
• Olivia J. Middleton Weaves a Classical Tale of Fleeting Romance in Her Roadside Cafe-Set Drama ‘A90′
• Dustin Waldman’s ‘Never Fuggedaboutit’ Sees The Sopranos Become a Heated Battleground for American Patriotism
• A Day in the Life of a Child Becomes a Psychedelic Voyage in Gerhard Funk’s Trippy ‘A Goat’s Spell’
• Hannah Renton Considers the Lasting Impact of Flawed Models of Love in Decade Spanning Triptych ‘Love Is Free’
• Daria Geller’s ‘Everybody Knows’ Updates a Leonard Cohen Classic for Today’s Era of Russian Aggression
• The Violence of the Milanese Underworld Hits Hard in Vivarinis Film ‘Mascagni’ Symphony | Inno all’Infamia’
• Lina Kalcheva Draws From Greek Mythology for Her Romantic Entanglement Stop Motion Short ‘Other Half’
• A Young Woman’s Longing for Intimate Fellowship Reverberates Through Julia Ponce Díaz’s Evocative Debut ‘Soredia’
• A Tricky Patient Causes a Therapist to Face His Own Issues in Ron Eyal’s Drama Short ‘The Therapist’
• NONO & Rodrgio Inada’s Epic ‘Naija Odyssey’ for Whatsapp Reconciles the Fundamentals of Identity and Belonging
• A Boundless Futuristic City Is Explored in Karl Poyzer’s Sci-Fi Music Video for Ital Tek’s ‘The Mirror’
• Masculinity Is a Toxic, Menacing Curse in Dima Barch’s Gripping Queer Russian Horror Short ‘Dead End’
• Hugh Mulhern Captures the Chaos of a Night Out in His Live Action/Animation Hybrid Music Video ‘Doolally’
• Kai Kurve’s Poetic and Propulsive ‘CORNERBOY’ Confronts the Corruption at the Heart of a Gangster’s Life
• A Comedian Attempts to Come to Terms With a Recent Traumatic Event in April Moreau’s AFI Short ‘Hysterical’
• The Prime Minister’s Untimely Death Leads to an Acerbic Battle of Self-Interest in Isher Sahota’s ‘Goodnight Henry’
• Moral Corruption Leads to the Dissolution of a Family in Duván Duque Vargas’ Colombian Drama ‘Todo Incluido’
• Joaquim Bayle’s ‘Gwendoline’ is a Delightfully Deadpan Tribute to Being Struggling Musicians on the Road
• How Joseph Wallace Created a Modern Folktale with a Timeless Message in new Short ‘Salvation Has No Name’
• Josh Leong’s ‘Sorry You Have to See This’ Empathetically Portrays Both Sides of a Mental Health Crisis
• How “Being Trapped in a Perpetual Dick Joke” Inspired Nick Roney’s SXSW Award Winning Short ‘The Flute’
• 10 Striking Short Films From the 2023 Edition of Annecy International Animation Film Festival
• Nudity Is Stripped of Its Over Sexualised Prejudices in Ross Casswell’s Liberating Documentary Short ‘Naked Woman’
• Pavel Kling’s Evocative Short ‘Bad Timing’ Acutely Captures the Cost of Leaving Everything Behind
• Vathana Suga Suppiah’s ‘Ratthum’ Breaks Free of the Pervasive Shame and Silence Around Infertility
• Gunnur Martinsdóttir Schlüter’s Cannes Special Mention Short ‘FÁR’ Pits the Law of Business Against Nature
• Flóra Anna Buda’s Palme d’Or Winning Animation ’27’ Boldly Embraces Sexual Fantasy Within Economic Limbo
• The Sole Survivor of a Climbing Accident Recalls His Supernatural Encounter in Giles Buchanan’s Horror ‘Terror’
• A Man in Turmoil Searches for Meaning in Sergey Spirin & Andrei Beresnev’s Visually Stunning Short ‘IYOV’
• Patrick Hanser’s A.I. Generated Music Video for ‘Cores’ Is a Kaleidoscopic Tapestry of Classic Art Styles
• A Surprise Package Leads a Heartbroken Recluse to Embrace His Inner Pervert in Greg Fox’s ‘Monkey-Love, Please Hold’
• Loïc Phil’s ‘Connection’ Encapsulates the Life Altering Intensity of a Spontaneous Passionate Love Affair
• Ajuàn Isaac-George’s ‘Snowfalls in the Summer’ Captures the Ups & Downs of Family Life as the Years Roll By
• Turkina Faso Envisages a Romantic Late-Night Odyssey in Her Dreamy Music Video for Herbert’s ‘Two Doors’
• “Pirate Filmmaking” Heads to Cannes in Karni&Saul’s Fishy Road Trip Short ‘Wild Summon’
• Faris Alrjoob Crafts a Beguiling Mystery of Love with Cannes-Premiering Short ‘The Red Sea Makes Me Wanna Cry’
• Grief & Political Rage Converge in Musa Alderson-Clarke’s Searing Cannes Selected Thriller ‘Killing Boris Johnson’
• Robin Trouillet Crafts a Portrait of a Hard Raver Who Goes Again the Grain in ‘Turning Man – 81RPM’
• Alexandra Bas Welcomes a More Vulnerable Masculinity in Joyous Fashion Short ‘The Distance Between Us’
• An Immigrant Battles Loss and Her Legal Status in Tsvetelina Zdraveva & Jerred North’s Drama ‘Yellowbird’
• Eivind Landsvik’s Cannes Palme d’Or Short ‘TITS’ Shares an Achingly Honest Portrayal of Teenage Insecurities
• Simone Smith’s Surreal Short ‘The Möbius Trip’ Explores the Inner Madness of All Chaotic Families
• A Father With Parkinson’s and His Son Attempt to Score Drugs in Grant Taylor’s Heartwarming Comedy Drama ‘Ecstasy’
• Zhenia Kazankina’s Doc-Fiction Hybrid ‘Continuity of Parks’ Imagines Greek Heroes Living in a Moscow Park
• Reed Purvis Offers Us a Snapshot of the Culture Shock Experienced by Rural to Urban Migrants in ‘Barrio Frontera’
• Stephen Follows Shares a Decade of Fascinating Industry Insights from the Film Data and Education Website
• Olivia de Camps Subverts Masculinity in Gendered Spaces for Rodney Chrome’s ‘Break the Internet’
• Lia Williams’ Tender Prison Drama ‘Samovar’ Poetically Imagines the Defiant Survival of Raoul Wallenberg
• A French Exchange Student Stumbles Into a Family Tragedy in Joe Weiland’s Upbeat Comedy Drama ‘Gorka’
• Kyryl Volovych Creates Intimacy Through the Amalgamation of Souls in Sensual Entely Music Video ‘Prosa’
• A Young Man Struggles to Maintain His Sanity When His Sister Goes Missing in Nathan Ginter’s ‘Last Seen’
• Humans Are the Houseplants in Benjamin Roberds’ Twisted Horror Comedy ‘Your Houseplants Are Screaming’
• A Karate Instructor Inspires His Shito Ryu Trainees to Excellence in Ewurakua Dawson-Amoah’s ‘The Knife Is Sharp’
• An Uninvited Guest Disrupts a Quiet Family Reunion in Joseph Brett’s Unnerving Stop Motion Folk Horror ‘Stones’
• A Birthday Girl’s Wiener-Dog Gets Annihilated by Her Hapless Father’s Car in McKinley Carlin’s Comedy ‘Noodles Forever’
• 10 Impressive Short Film Picks to Catch at the 2023 National Film Festival for Talented Youth
• Chloe Sarbib’s ‘Jensen’ Finds a Songwriter Struggling to Retain Her Sense of Self Before Taking Centre Stage
• Emma Jesse’s Dark Comedy ‘Soggy Biscuit’ Takes a Stomach Churning Look at Peer Pressure Fuelled Male Bravado
• Will Kenning Offers a Fresh Perspective on the Horrors of County Lines Drug Gangs in Dance Drama ‘Tap Boy’
• VERSUS Exalt Western Sydney’s Multidisciplinary Pool of Creative Talent in Ambitious Shorts Series ‘Latitudes’
• David O’Reilly’s ‘Kubrick By Candlelight’ Pays a Playful Comic Homage to Stanley Kubrick’s ‘Barry Lyndon’
• Will & Carly Capture the Worrying Reality of Male Perceptions of Breasts in ‘TITS: A Voyage Into Objectification’
• Nastia Korkia’s ‘Almost Spring’ Brutally Lays Bare the Normalisation of Corruption in Everyday Russian Life
• Björn Swoboda & Eike Frederik Schulz Capture the Sultry Seductiveness of a Scent in ‘The Interview’
• A Suburban Father’s Blistering Anger Boils Over into Family Confrontation in Daniel Turvil’s ‘This Much So Far’
• Calvin Demba Takes an Algorithmic Look at the Damaging Cycle of Toxic Relationships in Sexbot Comedy ‘BabyDolls’
• Ryan Schnackenberg Confronts Filmmaker Rejection Head on in His Excruciating Short ‘The Screener’
• A Spiral of Self-Doubt Ensues When a Woman Finds a Grey Hair in Eilidh Nicoll’s Animated Short ‘Silvering’
• A Young Woman Desperately Clings to Hope in a Brutal Reality in Zornitsa Dimitrova’s ‘A Dark Moment of Faith’
• The Toxicity of a Strained Father-Son Relationship Comes to a Shocking Head in Ben Tricklebank’s ‘Champ’
• Nathan Engelhardt’s ‘Senti L’Energia’ Explores the Blurring Relationship Lines Between Friendship and Love
• Michelle & Noel Keserwany’s Golden-Bear Winning Poetic Short ‘Les Chenilles’ Weaves a Delicate Thread
• Haunting Visions Seep Into the Mind of a Lonely Drifter in Eli Powers’ Psychological Horror ‘Skin & Bone’
• Sachin Dheeraj’s ‘Men in Blue’ Viscerally Exposes the Modern Slave Labour Inflicted on Immigrant Workers
• Samm Hodges Explores the Lasting Impact of Generational Male Violence in Immersive Drama Short ‘Tender’
• Werner Vivier’s ‘Walls Like Windows’ Captures Our Acute Need for Human Connection and Empathy When Navigating Trauma
• Abi Damaris Corbin Honours Marine Veteran Brian Easley’s Tragic Story in Gripping Heist Thriller ‘Breaking’
• Erik Odom Excavates the Enduring Effects of Shame in Thrilling Horror Drama ‘Box on the Hill’
• Natko Stipaničev’s ‘Arka’ Is an Unconventional Interpretation of Life Through the Strata of a Grand Cruise Ship
• Ten Thought-Provoking Shorts to Catch at Glasgow Short Film Festival 2023
• James Slater’s ‘Look for the Diamonds’ Encourages Us Grab Life by the Horns No Matter the Circumstances
• Audrey Mascina’s ‘I AM THAT I AM’ Explores Sexuality as Expression and Empowerment Without Constraints
• Jimmy Olsson Explores the Delicately Shifting Father-Daughter Bond in ‘Last Weekend With Jenny and John’
• Past and Present Converge in Lado Kvataniya’s Stirring Ode to Georgian Family with Mgzavrebi Music Video ‘Waltz’
• Visitor Share the Origin Story of a Remarkable Female Sumo Wrestler in Documentary Short ‘I am Tuvsho’
• Seamus Murphy’s ‘Henry Needs a New Home’ Is a Farcical Tale of One Man’s Battle With a Metallic Antagonist
• An Author’s Hope for Isolation is Disturbed by a Strange Couple in Alex Fofonoff’s Cosmic Horror ‘While Mortals Sleep’
• The Best Short Films at SXSW 2023
• Cyrus Neshvad Depicts a Young Iranian Woman’s Desperate Battle for Freedom in Oscar Short ‘The Red Suitcase’
• A Mother Battles Grief in a Dense and Vivid Fantasy World in Matt O’Donnell’s Animated Short ‘Runelight’
• A Father and Son Wrestle With the Nature of Loss in João Gonzalez’ Oscar Nominated Short ‘Ice Merchants’
• A Woman’s Journey Home Takes a Series of Unexpected Turns in Eirik Tveiten’s Oscar Nominated ‘Night Ride’.
• Evgenia Arbugaeva & Maxim Arbugaev Acutely Capture the Effects of Climate Change in Oscar-Nominated Doc ‘Haulout’
• Joshua Seftel’s Oscar Nominated Short ‘Stranger at the Gate’ Documents the Most Inspiring of Redemption Arcs
• Reality Crumbles in Lachlan Pendragon’s ‘An Ostrich Told Me the World Is Fake and I Think I Believe It’
• A Young Girl Embarks on a Desperate Search for Answers in Anders Walter’s Heartbreaking Oscar Nominated Drama ‘Ivalu’
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• A Mariner Takes a Sudden and Astounding Voyage in Wendy Tilby & Amanda Forbis’ Oscar Nominated ‘The Flying Sailor’
• Tom Krawczyk Captures the Blossoming of his Mother’s Incredible Relationship with A Baby Squirrel in Doc ‘My Duduś’
• Ten Brilliant Films to Catch from Berlinale Shorts 2023
• Dawn Richard Champions the Power of Self-Expression in Moving New Orleans-Set Dance Short ‘Pigments’
• A Mother and Daughter Struggle to Part Company in Emma Branderhorst’s Tender Short ‘Ma Mère et Moi’
• The Philosophical Musings of a One Eyed Shell Delight in Dean Fleischer Camp’s ‘Marcel the Shell with Shoes On’
• An Undersung Political Activist is Given Her Due in Alex Kayode-Kay’s BAFTA Nominated ‘The Ballad of Olive Morris’
• An Inside Look at Programming Berlinale Shorts 2023 with Head of Shorts Anna Henckel-Donnersmarck
• Peder Thomas Pedersen Surveys Society’s Dark Underbelly in Noir Thriller ‘Between the Ocean and the Snow’
• A Couple Struggle to Redefine Their Relationship in Beck Kitsis & Chris McNabb’s LGBTQ Short ‘Valentine’
• John Stevenson’s BAFTA Nominated Animation ‘Middle Watch’ Sees a Struggling Sailor Face the Extraordinary
• Hannah Jacobs Embraces Life’s Uncertainties in Her Affirming BAFTA Nominated Animation ‘Your Mountain is Waiting’
• Jessica Yu-Li Henwick’s Mobile Phone Shot BAFTA Short ‘Bus Girl’ Offers a Sumptuous Allegorical Look at Creativity
• Jo Ingabire Moys’ BAFTA Nominated ‘Bazigaga’ Spotlights the Unsung Witch Who Saved 100s During the Rwandan Genocide
• Bousher & Gee’s ‘You’re Absolutely Right’ Sees an Affirming Hotline Fuel a Paranoid Hoarder’s Troubled Beliefs
• Kurt Andrew Schneider’s Dark Comedy ‘Notice Me’ Questions the Contrasting Facades We Hide Behind Online
• A Grieving Woman Experiences a Close Encounter in Meredith Hama-Brown’s Music Video for Loscil’s ‘Sol’
• The Unintended Consequences of Technological Evolution are Unravelled in Sean Buckelew’s ‘Drone’
• Colby Day Traverses the Archetypal Romantic Journey of a New Relationship in Dance Short ‘Lead/Follow’
• Paul Holbrook’s ‘Old Windows’ Captivates With a Conversation Between Strangers That Is Much More Than It Seems
• Jacob Lee’s BAFTA Short ‘A Drifting Up’ Offers a Cathartic Montage of City Life & Human Connection
• Directors Notes Top 20 Filmmaker Conversations of 2022
• A Filmmaker Asks His Roommate to Watch His Short in Frank Mosley & Hugo De Sousa’s Comedy ‘The Event’
• Las Vegas’ Original Elvis Impersonator Confronts His Fading Identity in Ivan Olita’s Short Doc ‘A King’
• Nat Gee Traverses the Ebbs and Flows of an Intense Anxiety Attack in Experiential Short ‘Waves’
• Ten Captivating Short Films From Emerging Filmmakers at London Film School’s 2023 Graduate Showcase
• A Mystery Devours a Group of Stranded Men in Andrey M Paounov & Alex Barrett’s Chilly Thriller ‘January’
• Sara Gunnarsdóttir’s Oscar Nominated ‘My Year of Dicks’ Takes a Female Forward Look at Teenage Sexuality
• Nina Ognjanović’s Slamdance Debut ‘Where the Road Leads’ Encapsulates the Push-and-Pull of Rural Living
• Lado Kvataniya’s ‘Burn’ Is a Caustic Warning Against Our Collective Disillusionment at the Hands of Propaganda.
• The Newman Brothers Comedy ‘Do Not Touch’ Captures the Absurd Actions a Man Takes To Hide His Cheating Ways
• A Shared Bereavement Forces Estranged Brothers into Awkward Reconciliation in Oscar & BAFTA Winning Short ‘An Irish Goodbye’
• A Physical Manifestation of Family Dysfunction Heralds a Young Girl’s Empowerment in Sarah Lasry’s ‘Spell on You’
• Sarah Grant’s ‘Candy’ Is a Heartening Body Positive Reclamation of Sexuality and Empowerment
• A Delusional Man Meddles With Space and Time in Sascha Vernik’s Sci-Fi Thriller Animation ‘Losing It’
• Greg Hall’s ‘Baby Boy’ Takes Us on a Riveting Journey Through the Heart of Drug and Sex Fuelled Darkness
• Alex Cook’s Ghostly Sci-Fi Short for Son Lux’s ‘Undertow’ Sees a Man Haunted by an Ethereal Doppelgänger
• Zuzanna Plisz’s Striking Monochrome Horror Music Video ‘I DIED’ Takes Direct Aim at Dated Catholic Mores
• Jack Weisman & Gabriela Osio Vanden Shift the Perspective of Polar Bear Migration in Doc ‘Nuisance Bear’
• The Baldest Man in the World Accidentally Starts a Moon-Worshipping Cult in Luke Bather’s Heartwarming ‘Bald’
• Robert Mentov & Dwight Jantzi’s ‘Gypsy Son’ Skilfully Recreates 90s Russia for a Powerful Gangster Tale
• Unexpected Revelations Strengthen the Bonds of Friendship in Leonard Rääf’s Comedy Drama ‘Hiding Behind Masks’
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• The Reids Chart the Tense Ongoing Challenges of Running a Fashion Brand in Doc ‘Cole Buxton: Still Here’
• Bounty/Banana Celebrate Ten Years as Creative Partners With a Wild and Vibrant Search for ‘InTENsity’
• Exploring the Ends of the World: The Perseverance and Determination Behind Nicholas Jones’ Documentary ‘A Greenlander’
• Dan Löwenstein’s ‘Safe’ Provides an Intimate Look at the Pain and Isolation Faced by Male Survivors of Sexual Violence
• Kathy Mitrani Captures the Excitement and Turmoil of Peer Pressure in Evocative 16mm Short ‘Buzzkill’
• Waley Wang’s ‘Teen Troubles in Dirty Jersey’ Captures the Thrums of Punk, Toxic Masculinity & Disaffected Angst
• A Surrealistic Veneer Hides a Family Breakdown in TJ O’Grady Peyton’s Offbeat ‘Broken: A Lockdown Story’
• One Woman’s Ecstasy Is Another’s Obsessive Agony in Mattis Ohana Goksøyr’s Sensuous Short ‘Are You OK’
• An Infinite Queue Is Formed in Ben Kadie’s Technically Mind-Blowing Surreal Dance Short ‘Ahead, Behind’
• Corina Andrian Creates a Mesmerising and Unconventional Stop-Start Culture Clash Dance Film With ‘Dancen’
• Oskar Brockbank Viscerally Captures the Emotional and Mental Strains of Motherhood in ‘Surrender’
• A Deadly Smell Tarnishes the Lives of Forest Creatures in Julien Piau’s Dark Fantasy Short ‘GRIFFURE’
• A Teenage Boy Struggles With the Shame of Victimhood After a Brutal Attack in Toby Wharton’s Drama Short ‘Held’
• Tensions Between a Mother and Daughter Lead to a Hellish Conclusion in Lucy Knox’s ‘Hot Mother’
• Anita Bruvere’s Stop Motion Short ‘Home’ Is a Story of Community Told Through the Living History of a Building
• A Teenager Is Coerced by Her Boyfriend in Seemab Gul’s Tense Contemporary Social Commentary Short ‘Sandstorm’
• Roxy Rezvany Explores the Skewed Power Dynamics of a Domestic Abuse Police Interview in ‘Honesty’
• A Crippling Drug Addiction Causes a Warped Sense of Reality in Joseph Pierce’s Rotoscoped Short ‘Scale’
• A Chance Encounter Reveals Unexpected Truths in Keeran Anwar Blessie’s Queer Short ‘A Fox in the Night’
• Ivyy Chen Examines the Daily Struggles Unnecessarily Faced by Too Many in ‘Learning Disabilities in Primary Care’
• Three Strangers Cross Paths and Reshape Time in Alexander Stamatiadis’ Audiovisual Dance Short ‘THORN’
• Two Lonely Cat Enthusiasts Connect in Brendan Prost’s Eerie Bifurcated Character Drama ‘Heavy Petting’
• David Findlay’s Drama ‘Lay Me by the Shore’ Follows a Week in the Life of a Grieving Trans Boy
• Naomi Pacifique Excavates the Intertwined Nature of Bodies and Intimacy in Her LFS Grad Short ‘after a room’
• Sam Baron Reflects on the Stoicism and Fragility of Men in His Actor in Crisis Comedy Drama ‘Big Ears’
• Twin Brothers Have to Say a Tragic Goodbye in Argam Gevorgyan’s Experimental Vertical Drama ‘La Beaute’
• The Modern Archetype of a Desperate Artist Is Given an Expressionistic Depiction in Mitch deQuilletes’ ‘Cowards’
• Craig Bingham’s Yorkshire-Set Fight Pit Short ‘IRONSTONE’ Is a Brooding Look at a Battle for Survival
• The Hard Choices of Abortion Are Anchored in Daily Reality in Garrett Detrixhe’s ‘The Girl at the Motor Hotel’
• A Young Artist Falls Into Nostalgic Pitfalls in Ewa Smyk’s Wistful Hand-Painted Animated Short ‘Homebird’
• Manchester Animation Festival 2022 Preview: “The Biggest and Most Exciting Edition Yet”
• Female Pleasure Is Given a Playful Fulfilling Expression in Alena Shevchenko’s ‘Sorry I am late, I was masturbating’
• Mask-Clad Roller Skating Thieves Risk It All in Ben Dean’s Frenetic Dr. Dre Branded Short ‘Flipper’s Skate Heist’
• Phillip Kaminiak’s ‘Circle’ Is a Lively Dance Indictment of the Endless Hustle and Bustle of Metropolitan Life
• 10 Must-Catch Short Films by Promising Filmmakers at Aesthetica Short Film Festival 2022
• A Black Student’s Revelation Leads to Uncomfortable Repercussions in Chinwe Okorie’s Drama Short ‘Elephant’
• An Immigrant Couple in 70s London Navigate the Law and Each Other in Roxy Rezvany’s Short ‘Photo Booth’
• An Oblique Ritual Is Performed to Create Genetically Designed Kids in Lucy McRae’s Experimental Sci-Fi ‘Futurekin’
• Alberto Arellano’s ‘Mental Soirée’ Immerses Us in an Evocative Experimental Voyage Into Telepathy.
• VERSUS Exquisitely Thread Together The Australian Ballet’s Rich History of 60 Years of Movement in ‘Beyond Words’
• Ali Gill’s Enigmatic Puzzle Film ‘Wimmelbook’ Invites the Viewer in to Become an Active Participant
• Richan Li’s Zany Head-Swapping Animated Short ‘Babble Bubble’ Explores a Hyper-Modern Identity Crisis
• Dimitris Tsakaleas & Lida Vartzioti’s Dating Short ‘Happy Ending’ Is an Ode to Finding Love in Unexpected Places
• Tom Wakeling’s Experimental Sci-Fi ‘Pattern’ Is a Dreamlike Voyage on the Destructive Power of Repetition
• Victoria Singh-Thompson’s ‘Don’t Forget To Go Home’ Captures Coming-of-Age While Caught Between Cultures
• Neal Mulani’s ‘Tell Me Something I Don’t Know’ Warns of the Perils of Giving Into Your Deepest Insecurities
• Kevin Kim Evokes the Cinematic Sensibility of Wong Kar-Wai for His Sumptuous Fashion Film ‘Capsule 003′
• Eliza Jiménez Cossio & Lexi Tannenholtz’s ‘We Should Get Dinner!’ Probes the True Nature of Family
• Yú Reframes Masculinity Through a Feminine Gaze in Experimental Social Satire Short ‘Flowers While You’re Here’
• Ten Impressively Innovative Feature Films From London Film Festival 2022
• Natalia López Gallardo’s ‘Robe of Gems’ Depicts the Pervasive Climate of Fear Drug Cartels Impose on Mexican Life
• Jessica Bishopp Intimately Follows the Lives of Young Bird Watchers in Immersive Documentary ‘Skyward’
• Old Friends Face a Difficult Moral Quandary in Mauritz Brekke Solberg’s Gripping Summer Drama ‘Juli.’
• Ten Cutting-Edge Short Films To Catch At London Film Festival 2022
• Jack Pirie’s Genre-Blurring ‘The Storm Chaser’ Offers a Mythical Revamp to Conventional Extreme Sports Films
• The Journey of Human Existence Is Seen Through the Eyes of AI in Riccardo Fusetti’s Short ‘Generation’
• Emma Branderhorst’s ‘Spotless’ Tackles the Worldwide Issue of Period Poverty With an Unflinching Gaze
• Kiosa Sukami Examines Portrayals of Black Men in His Contemplative Crime Drama ‘A Letter To Black Men’
• 10 Unmissable Short Films From Bolton Film Festival 2022
• The Inevitability of Death Invigorates a Renewed Sense of Life in Omar Kakar’s ‘Man in the Morgue’
• 66th London Film Festival Preview: Bigger and Broader
• Arielle Friedman & Lucy Blumenfield Examine the Painful Fallibility of Memory in ‘Immutable Uncertainties’
• An Unlikely Bond Forms Between a Young Boy and His Neighbour in Emma Miranda Moore’s Stirring Drama ‘Run’
• Spirits Awaken in an Estranged Crimson World in Hannah Doerr’s Mystical Infrared Music Video ‘RUINS’
• Alexander Ronsdorf Explores the Genesis of the Creative Process in Branded Short ‘White Blank Page’
• Brandon Tauszik’s Trifold ‘Bad Thoughts’ Book Trailer Showcases Modern Women Wrestling With Love and Adulthood
• Elijah Allan-Blitz’s ‘Remembering’ Uses Cutting-Edge AR Technology to Open up a World of Pure Imagination
• Manuel Tröndle Crafts a Moving Portrait of Queer Life Under the Horrors of Conversion Therapy in ‘Mending’
• Martin Wolfgang Klapperbein’s ‘Fuk It’ Depicts the Ensuing Chaos of an All Too Relatable Burnout
• A Mysterious Nurse Collides With a Taxi Driver in Juan Pablo Blanco’s Vivid Film Noir Homage ‘Soy Hombre’
• Anthony Capristo’s Gorgeous Poetic Film ‘HeavenHell’ Fully Captures the Highs and Lows of Being in Love
• Darryl Foster’s ‘Hard To Reach’ Shows the Spiritual Connection Between a Young Man and His Mentor
• Omer Ben-Shachar Queries the Masked Nature of Identity in Hybrid Claudio Olachea Music Video ‘Down Here’
• Rhys Day’s Mysterious Climate Change Allegory ‘Strange Country’ Depicts the Australian Wilderness Fighting Back
• Victor Claramunt Channels the Feeling of Joy and Empowerment in Vibrant Dance Short ‘L’Amour’
• Live to Love
• Lucas Hrubizna Traverses Purgatory Through Five Uncanny Groundbreaking VolCap Music Videos for Sad Night Dynamite
• A Formidable Woman Confronts Her Trauma in Mat Sheldon’s Visceral Monologue Short ‘The Electricity in Me’
• Harun Güler’s ‘In Limbo’ Mixes Documentary and High Style to Create an Ode to Non-Binary Turkish Life
• Louise de Nexon’s Stylish Spec Ad ‘Beyond Converse’ Is an Ode to the Boundless Power of Imagination
• 10 Essential British Shorts From the 2022 Edition of The Shortest Nights
• Michael Lazovsky’s Historical Holocaust Horror ‘Magdalena’ Acutely Captures the Difficulty of Letting Go of Trauma
• Kevin Luna’s Slow Cinema Short ‘Still Life’ Offers a Novel Undemanding Way of Film Watching
• Reece Daniels’ Experimental Dance Thriller ‘BONGO’ Tells a Tale of False Connection in the Modern Age
• Andrew Balasia Explores the Idiosyncratic Life of a Friend-For-Hire in Comedy Drama ‘Souvenirs’
• An Idealised Romance Reveals Its Toxic Underbelly in Tomás Whitmore’s Psychological Thriller ‘Allie & I’
• A Romantic Camping Trip Descends Into a Psychological Nightmare in Jamie Wanstall’s Short ‘Still Waters Run Deep’
• An Unusual Love Triangle Blossoms in Nick Flügge’s Whimsical Mockumentary ‘The Last Bee on Earth’
• Kai Blamey Nguyen Opens up the Conversation on Male Mental Health With Therapeutic Dance Short ‘Feel’
• Sean Lìonadh’s ‘Too Rough’ Acutely Captures Queer Lives on the Edge of Domestic Collapse
• Reading & Leeds 2022 Cinema Tent….The Return
• The Ethics of Great Art Are Challenged in Lisa Clarkson’s Philosophical and Seductive Drama Featurette ‘Muse’
• Harry Windsor’s ‘The Most Wonderful Day of the Year’ Explores What Happens When Dissatisfaction Turns Into Action
• A Pair of Arctic Explorers Resort to Desperate Measures in Ben Pearce’s Perilous Comedy ‘A Few Miles South’
• An Inquisitive Retiree Surprises Her Neighbours in Caroline Steinbeis’ Comedy Drama ‘From A Strange Land’
• Giada Bossi’s Hybrid Short ‘Quattro Pareti’ Takes Us on a Painful Yet Tender Reflection of Grief
• Alec Moeller’s Dark Comedy ‘Empath’ Explores the Tricky Relationship Between Identity and Social Acceptance
• Samantha Scaffidi’s Drama Short ‘The Things We Left Unsaid’ Sees a Writer Fight for Her Emotional Freedom
• A Lone Horseman Harbours a Burning Secret in Santiago Posada’s Music Video for Miraclis’ Eerie Track ‘Scienter’
• Ray Smiling’s ‘Play This At My Funeral’ Extols Our Intimate Connections to the Songs in Our Lives
• Yulya Litinskaya’s Dark Video for Tosya Chaikina’s ‘Arrows Have Struck in the Heart’ Shows a World in Decay
• Katie Colosimo’s Comedy Short ‘Something You’ve Never Told Me’ Captures the Absurdity of Pettiness Between Friends
• A Devastating Disease Forces a Couple to Make a Heart-Rending Decision in Ian Roderick Gray’s ‘Survive This’
• Nicole Rixon & Ryan Goodman’s ‘Portrayed’ Captures the Relentless Scrutiny Placed on Women in Politics
• Tobias James’ ‘Speedboat’ Is an Exhilarating White Knuckle Introduction to Bangkok’s Frenzied Waterway Racing
• 10 Must-Watch Shorts from the London Film School’s 2022 Graduate Showcase
• Jean-Vital Joliat Conveys the Intimacy a Couple Facing Dementia in His Music Video for DE.VILLE’s ‘Water’
• Vira-Lata & Youth Express the Vibrancy of Mexican Culture in Their Co-Directed Branded Short ‘Nuestras Manos’
• A Seemingly Regular Hookup Causes a Seismic Shift in David McShane’s Intimate Animated Short Film ‘Come’
• Ramiel Petros’ Touching Student Oscar/BAFTA Drama ‘Aziz’ Takes Three Friends On a Devastating Desert Road Trip
• Jesse Leaman Dances Through a Nightmarish Reality in His Compelling Video for Sam Phay’s ‘After Life’
• Joshua Vii’s Thermal Dance Film ‘Entropy’ Is a Delirious Celebration of Pure Expression
• A Couple Are Trapped in a Violent Embrace in Andrew Jim Gannon’s ‘United (Why Can’t We Say Enough)’
• Naaman Azhari Combines Dance and Rotoscoped Animation in His Touching LGBTQ Drama ‘Breathless Puppets’
• Joseph Chebatte Provides a Compelling, Rule-Breaking One-Man Monologue with Short Film ‘Mother Dearest’
• Andzej Gavriss Reveals the Untold Story of PTSD in His Powerful Ukraine Refugee Short ‘Uprooted’
• Christian Schultz’ Lyrical Documentary ‘Infinite Blue’ Creates a Unique Portrait of Life on the Margins
• Kimberly Stuckwisch Channels Angel Olsen’s Journey of Self-Discovery in Her Dreamlike Short ‘Big Time’
• Ewurakua Dawson-Amoah Highlights the Vibrancy of Black Stories With Celebratory MTV Branded Short ‘Noitamalcer’
• Serafima Serafimova Puts a Magnifying Glass up to Gender Imbalance & Binary Societal Pressure in ‘The Unfair Sex’
• Jens Josephs’ ‘A Man’s World’ Places Sergio Leone’s Aesthetic Within a Bizarre L.A. Apartment Dispute
• Marco Lawson’s ‘The Dinner’ Perfectly Captures the Dangerous Mix of Social Anxiety and Heavy Drinking
• A Starving Wolf Crawls Inside Human Skin in Solmund MacPherson’s Absurd Comedy ‘Wolf in Dude’s Clothing’
• David Easteal’s Intimate Transportive Commuter Epic ‘The Plains’ Shows Us How Less Can Easily Be More
• Ten Fantastic Shorts From Sheffield Doc/Fest 2022
• Ben Galster’s Crafts an Immersive One-Shot Experience for Marie Bothmer in ‘Kugelsicher’
• The Masked Serial Killer Just Won’t Stay Down in Alex Montilla’s Inventive Comedy Slasher Short ‘Overkill’
• Two Chefs Prep for a Big Date in Marco Santi’s Subversive and Cathartic Music Video for Nother’s ‘Us’
• Gregory Foltynowicz’s Arthouse Film ‘Lachesis’ Piercingly Ponders If We Can Control our Own Future
• Kenzie Sutton Highlights the Mundanity of Everyday Life in Stop Motion Short ‘Somebody Take the Wheel’
• Ian Roderick Gray Blends Body Horror, Romance and Drama in His Video for On Man’s ‘Worse Than it Seems’
• Ten Stellar Short Films from the 2022 Annecy International Animation Festival
• Jermaine Manigault’s Experimental Short ‘Not Black Enough’ Cathartically Confronts Blackness in America
• Varun Raman & Tom Hancock’s 16MM Comedy Short ‘Man or Tree’ Sees a Plant Ponder Its Metaphysical Reality
• Ninja Thyberg’s Debut Feature ‘Pleasure’ Commands Us to Reconsider Preconceived Notions of the Porn Industry
• Simon Robson’s ‘Ghost in the Machine’ Brutally Confronts the Damage Caused by Plastic in the Ocean
• A Mother and Son Fall Into a Toxic Masquerade in Émile V. Schlesser’s Darkly Twisted Satire ‘Kowalsky’
• Bianca Poletti Tests the Boundaries of Traditional Dating & Relationships in Comedy Short ‘Radical Honesty’
• VERSUS Exalt the Cacophonous Tools of Party Dozen’s Trade in the Chaotic and Gritty ‘Macca the Mutt’
• Sina Dolati Plunges Us Into the Hyper Frenzied Neurodiverse Perspective of Säye Skye’s Mind in ‘ADHD’
• Iacopo Carapelli Channels a Feeling of Pure Ecstasy in His Video for Catarina Barberi’s ‘Broken Melody’
• Bram VanderMark’s Dance Film ‘I Carry Them’ Captures the Melancholy of Leaving Loved One’s Behind
• tao/s Expose the Dark Actuality of Child Trafficking & Exploitation in Social Justice Short ‘The Rabbit Hole’
• Christian Schultz’s ‘Cultivating Originality with Director Jodeb’ Goes Deep on the Artistic Process
• Marnik Loysen’s Pokes Fun at the Divide Between Millennials and Baby Boomers in Stop-Motion Comedy ‘Brunch’
• Raw Style & Dirty Beats Reverberate in Harmony in Wendy Morgan’s Chic Music Video ‘Kisé’
• Rodney Chrome Splashes the Cash Around NYC in Zac Dov Wiesel’s Vivid Music Video ‘To The Money’
• Damo Yang Embraces the Sound of Roy Wang & Backspace in Music Videos ‘Fabulous Nuts’ & ‘Six-Eyed Dragonfly’
• Blake Bogosian Catalogues the Off-Kilter Outlook of David Fullarton in Doc ‘I Lied About Being an Artist’
• Alex Camilleri & Jon Natchez Talk the Art of Street Casting and Composing for Stirring Fisherman Drama ‘Luzzu’
• Harris Dickinson Explores the Ties That Bind a Young Soldier On His Last Night of Freedom in Riveting ‘2003’
• Matthew Harmer Debates the Morality of Autonomous Weaponry in Insightful Social Study Doc ‘Immoral Code’
• ‘Square It’ by Sammy Rawal Is the Cheesy Collaboration Music Video Celebration That We All Crave
• Slow Cinema Meets Rap Music in Krzysztof Skonieczny’s Brutally Compelling Tektonika Project ‘Peru48’
• A Forlorn Teenager Auditions for the High School Choir in Kate McCarthy’s Comedy Drama ‘Look, Mira’
• Mathieu Mondoulet & Thibaut Eiferman’s ‘La Fuga Dei Cervelli’ Explores the Fight Between Freedom and Conformity
• I.M Explore the Boldly Brave Journey to Personal Acceptance of Vitiligo Suffers in ‘Shed Some Light’
• Álvaro de la Hoz’s Horror ‘Replica’ Is a Delightfully Delirious Dance of Death
• A Hot Water Bottle Has an Existential Crisis in Jenny Wright & Jake Cunningham’s Animation ‘Blue Bottle’
• Kirby Ferguson Opens up About His Career as an Online Creator and the Decision to Retire From Internet Filmmaking
• Lewis Attey Tells the Punctuated History of a Lonely Drifter Across His Multi-Year Short Drama ‘Basil’
• Sylvain Cruiziat Brutally Skewers the Privileged Preaching of the Art World in Unsettling Satire ‘The Raft’
• Ten Great Films From the International Short Film Festival Oberhausen 2022
• Theo Williams Skillfully Debunks UK Moral Panic Prejudices in Documentary ‘Terms & Conditions: Deeper Than Drill’
• Alexandra Velasco Depicts a Spiralling Descent Into Madness in Art-Horror Short ‘The Seventh Circle’
• Leo Gorenshtein Questions What Is Enough in Fatalistic 3h Company Music Video ‘Adequately’
• A Chatty Man Instigates an Unsettling Conversation in Larry Ketang & Liam White’s Thriller ‘Punch-Drunk’
• Elena Saurel Playfully Explores Generational Perspectives on Polarising Topics in Series ‘ANOTHER TIME, With Paul’
• Iacopo Carapelli Celebrates Individuality and Authenticity in His Vibrant Ray-Ban Branded Short ‘You’re On’
• Philipp Yuryev & Ivan Proskuryakov’s ‘Against Tortures in Russia’ Powerfully Condemns Police Brutality
• Riffy Ahmed Encapsulates the Intensity of Migration in Experimental Greek Myth Adaptation ‘Medea’
• Ten Must-See Short Films Available to Stream at the 2022 National Film Festival for Talented Youth
• Elizabeth Godar & Mitch deQuilettes Satirise a Competitive Couples Hiking League in Mockumentary ‘Hill Hikers’
• Jack Gray Examines the Absurdity of Everyday Routines in His Jam-Packed Looping Animation ‘Menagerie’
• Anna Fredrikke Bjerke’s ‘Exposed’ Examines the Friction Between Personal Boundaries & Supposed Artistic Integrity
• Paul Ward’s Surfing Film ‘Luck is Alive’ Creates a Kaleidoscopic Portrait of Animist Philosophy
• Diana Olifirova’s Solo Dance Film ‘Intrance’ is a Haunting Portrait of Life in the Shadow of Conflict
• Henna Välkky & Eesu Lehtola Create a Collective Subconscious With Animated Doc ‘We are in a Dream’
• Léo Berne & Raphaël Rodriguez Force Us to Consider the Darkest of a Suppressed Subconscious in ‘Censor of Dreams’
• Zachary Rubin Smartly Uses the Sci-Fi Genre to Explore the Need for Human Connection in ‘Imaginary Friend’
• Gabriel Connelly Explores the Lasting Effects of Survivor’s Guilt in 16mm Short ‘Swimming for Shore’
• A Musician Makes a Music Video While Making a Music Video in Josh Sondock’s Ambitious Promo ‘Morning / Midnight’
• William Williamson Encapsulates the Backbreaking Labour of Vietnam’s Wet Market in ‘All for You’
• Ten Unmissable Animated Shorts to Stream at GLAS Animation 2022
• Antoneta Alamat Kusijanović on ‘Murina’ Her Brooding Coming-Of-Age Drama Rife With Passion and Longing
• Goh Iromoto Ponders Questions of Time, Mortality and the Balance of Life in Wildlife Feature ‘Land of the Living’
• Andree Ljutica Chronicles a Day in a Life on Parole in Non-Conventional Doc ‘Seven Hundred Fifty-Six’
• A Teenage Girl With Autism and Her Sister Tackle Life After a Bereavement in Rosie Westhoff’s ‘Our Sister’
• Anthony Oberbeck’s Darkly Comedic ‘Book’ Tracks a Stoic Man Who Finds Solace in an Unusual Literary Tome
• Michael Socha Sees Double in Uzo Oleh’s Gripping, Mind-Bending Sci-Fi Thriller ‘Edicius’
• Phumi Morare Demonstrates a Woman’s Extraordinary Defiance in the Face of Oppression in ‘When the Sun Sets’
• James Price Explores the Lure of Gang Culture in ‘Infectious Nihilism and Small Metallic Pieces of Hope’
• Ross Donald’s ‘One Last Spin’ Brutally Lays Bare the Cost Behind Britain’s Pernicious Gambling Addiction
• Ewurakua Dawson-Amoah Celebrates Black Power in Academic Spaces in Rousing Commercial Spot ‘We Are’
• Olivier Lescot’s ‘The Rift’ is the Perfect High-Octane Tribute to the Myth of Tommy Lee Jones
• Matt Genesis Executes Pulse-Pounding Action in His John Wick-Esque Promo for Xavier Goodman’s ‘Tanjiro’
• Ten Fantastic Shorts to Catch at Glasgow Short Film Festival
• Chiara Schreder’s ‘Hysterical Sisters’ Personifies the Painful Reality of Adenomyosis & Endometriosis Sufferers
• Christian Goue Combines Burning Desire With Mythic Iconography in Julez Lorenzo Music Video ‘Static Signal’
• Amber Schaefer Showcases the Absurdity of Influencer Culture With Dark Comedy ‘NYC Tips and Tricks’
• A Stranger Arises Out of the Ocean to Feast in Federico Urdaneta’s Mystical Video for Pigeon’s ‘It’s You’
• Guido Acampa Aligns the Fragility of Human Relationships Against an Ominous Backdrop of War in ‘Inner Front.’
• 10 Outstanding Shorts From Underwire Festival 2022
• Les Mills & Joanna Quinn Return to Their Working Class Heroine for Oscar-Nominated ‘Affairs of the Art’
• Ian Pons Jewell Recreates a Heated Congressional Hearing in His Music Video for Coldxman’s ‘Blasphemy’
• Antonin Niclass Forges a Magical Link Between Strangers in BAFTA Nominated Animation ‘Do Not Feed The Pigeons’
• A Night’s Sleep Is Anxiously Interrupted in Ida Melum’s BAFTA Nominated Stop Motion ‘Night of the Living Dread’
• Nathan Engelhardt’s ‘Your Curly Hair’ Beautifully Explores the Moments That Make a Relationship
• JONES Harness the Power of Allegorical Storytelling in BAFTA Short ‘Three Meetings of the Extraordinary Committee’
• Tomas Gomez Bustillo Curates a Collection of Quotidian Memories in ‘Museum of Fleeting Wonders’
• Jo Prichard Takes a Tender Look at the Loss of an Iconic London Bingo Club in ‘The Palace’
• 10 Essential Shorts From the National Film and Television School’s 2022 Graduate Showcase
• Mona Namer & Sofia Aedo Zahou Traverse Birth and Metamorphosis in Dance Film ‘A Bath in My Mother’s Womb’
• Louis-Jack’s ‘Midair’ Captures the Euphoria of Bouldering in Widescreen Anamorphic Glory
• Shaun James Grant Captures Perseverance in the Face of Bitter Loss in Melancholic Diner-Set Tale ‘Hope’
• Will Wightman’s Frenetic Short ‘Heart Failure’ Is a Whip-Smart Gen Z Take on Modern Relationships
• Leo Pfeifer Captures Blind Skater Justin Bishop’s Triumphant Return to the Ramp in ‘One Day You’ll Go Blind’
• A Woman Finds Herself Obsessively Compelled to Dig a Hole in Anna Maguire’s Metaphorical Drama ‘It’s Nothing’
• Losmose Straddles Fantasy, Reality and Nightmares in Striking Ela Minus Music Video ‘N19 5NF’
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• Chloe Sarbib & Amy Taylor Rosenblum Depict the Self-Questioning Fear of Confiding in ‘Go Tell Your Fathers’
• An Ancient Myth Is Given a Modern Mexican Reimagination in Mazdey Snob’s Fashion Led ‘Mijo’
• The Bonds of Sisterhood Are Put To the Test in Kevin Vu’s Eccentric Misfit Short ‘Perfect as Cats’
• Ten Fantastic Shorts To Watch at Berlinale 2022
• A Nosy Scholar Encounters Dark Secrets in Ryan Mackfall’s Macabre H. P. Lovecraft Adaptation ‘Backwoods’
• Joseph Amenta Tells a Tale of Personal Refuge Within Kiki Ballroom Culture in LGBTQ Short ‘Haus’
• Retaining Your Humanity Is Key In Tomek Suwalski’s Pulse-Pounding Trailer for ‘Dying Light 2 Stay Human’
• The Past Never Leaves You in Mahyar Mandegar’s Melancholic Modern Fairytale ‘White Winged Horse’
• Rachel Stubbings Directs an Explosively Funny Comedy About a Woman Who Gets Stuck in a Toilet in ‘The Bridesmaid’
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• Koya Kamura Crafts a Humbling Contemplative Drama About Grief in His Fukushima-Set Debut ‘Homesick’
• Cherish Oteka Finds the Intimate Heart of a Poignant Story of Institutional Racism in ‘The Black Cop’
• Tadeusz Lysiak Questions Societal Notions of Beauty and Desirability in Oscar Shortlisted Drama ‘The Dress’
• The Absurdity of War is Gorgeously Rendered in David Zamorano’s Captivating Isolation Animation ‘Senseless’
• Jonas Bak Casts His Own Mother in Feature ‘Wood and Water’, a Spiritual Piece of Late-Life Slow Cinema
• Bill Blaine Quietly Reflects on the Nature of Art in Jakub Blank’s Gentle Doc ‘A Walk Around the House’
• Murad Abu Eisheh Captures a Childlike Perspective of War with Student Oscar Winner ‘Tala’vision’
• Chad Sogas’ Autobiographical Doc ‘Rat Tail’ Traverses the Path to Self-Discovery via an Awkward Hairstyle
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