Serkan Bayrak reveals how letting go of the meticulous script structure of his debut short allowed the unique dynamics of his characters to shine through.
Robin Trouillet reveals how he created a three-dimensional portrait of a unique individual with an uncompromising spirit for his music documentary short.
Berlinale Head of Shorts Anna Henckel-Donnersmarck details what she and her team look for in the films they programme and the strengths of the short form.
Alena Shevchenko explains why she wanted to explore female pleasure in her film about a woman banishing pre-date nerves with a spot of self-gratification.
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