A man haunted by war returns home to find he no longer has a place, in Sophie Diao’s affecting animation After Leaving a Forest.
Experimental animation Lumerence from CalArt’s graduate Miwa Matreyek mixes live-action with animation to create a fascinating and original short.
Amanda Winterstein takes us into the lonely life of the Wife of a Farmer in her creepy animation for CalArts.
Building a short around the tragic events of 911 is a risky move and one that most filmmakers would be well advised to stay as far away from as humanly possible; don’t approach with a significant level of somber respect and you’ll be vilified for your flippancy, stray too far into mawkishness and the charge [...]
Brooklyn based artist and animator Kelsey Stark brings his eccentric style to David’s Story (Sex O-Clock in America) an animation commissioned for the Sundance channel.
Parisian director/visual artist Pooya Abbasian created a meticulously-detailed animated universe, overflowing with intriguing worlds and odd characters for the music promo to Birdpen’s Nature Regulate track.
French director Maxime Bruneel brings the vivid, trippy style we’ve become used to in his recent work, to this vibrant animated road trip video for the Punks Jump Up feat Chromeo track Mr Overtime.
Orpheus´ metamorphotic walk through the lost and found land. 2000 drawings passed through German animator Michael Fragstein’s hands as he created morphing, experimental animation Orpheus´ Pony.
Artist, animator, accordion player and recent CalArts graduate Zoë Moss combines stop-motion and 2D animation techniques in her haunting short The Plague Bearers. The year is 1655. The Black Plague has traveled to the village of Eyam, and the villagers have barricaded themselves in their homes. But the plague is spreading, and it is only [...]
The latest member to join French animation studio Je Regarde, Japanese animator Masanobu Hiraoka applies his interest in metamorphosis and strange or impossible motions to reveal the myriad of wondrous sights we miss On The Table when we’re not looking.