We invited Raphael Bluzet to discuss how he and illustrator Yohan Quintar employed a fucked up aesthetic on short film ‘IN’ to tell the animated tale of obsession and torment which lies behind every man’s mask.
Director Maria Pia Fanigliulo discusses how she approached crafting an elliptical tale of a young woman battling mental illness in her new short film ‘Fragments of May’.
In Molly McGlynn’s short ‘I Am Not a Weird Person’, an altercation on the street forces Emmy to retreat to the confines of her apartment, where her contrasting fear of and desire for connection bleeds out to the viewer to great comic effect. McGlynn joins us to discuss why filmmakers shouldn’t wait to be greenlit.
DN caught up with Director Ani Simon-Kennedy to discover just how she crafted her silent, feature length post-apocalyptic tale of a world without hope in the wilds of Iceland.
DN caught up with Rémy Bazerque to discuss how he got the collective penny to drop for his new short ‘Cerberus’, a modern take on the mythological eternal punishments narrative.
Ronin animator Eric Power joins DN for an interview about the 3 year solo journey he undertook to complete his debut paper stop motion feature ‘Path of Blood’.
Director Hannu Aukia’s talks to DN about how he turned a ‘vibe’ between actors into a deeply affecting short about the fragility of modern romantic relationships in his short film ‘Helsinki-Turku’.
Director Maegan Houang joins DN to discuss how she found gruesome horror on the Oregon Trail in her meticulously observed period music video for Chastity Belt’s ‘Black Sail’.
Actor/Director Eric Kolelas returns to DN to share the inspiration which led him to subvert the typical post-apocalyptic narrative in his new short film ‘Hold’.
Director Joan Guasch tells DN how he stayed on top of his topsy-turvy music video for Jansky track ‘Apocalipsi’.