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Sigur Rós: Brennisteinn

After the visual feasts of Solipsist and Bjӧrk’s Mutual Core we’ve become accustom to Andrew Huang filling our world with vivid spectrums of colour, but for Sigur Rós’ Brennisteinn Andrew proves that even when restricted to black, white and splashes of yellow, he’s still more than capable of crafting visually stunning imagery bursting with power.

Author: MarBelle

MarBelle has a strange compulsion to watch as many films as he can get his hands on and find jobs that give him a legitimate excuse to drill filmmakers about their work. Directors Notes is the latest incarnation of this disorder and so much cheaper than film school. Twitter: @MarBelle


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