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Described as a slacker revenge movie, Simon Rumley’s latest feature Red White & Blue tracks the emotionally damaged Erica through the bars and beds of Austin, as she deals out her own brand of revenge, that is until things come to a head with potential saviour Nate and past victim Franki. I caught up with Simon to discuss the difficulties of casting demanding roles and how to avoid camera overheating when shooting at the height of an Austin summer.
It’s not a torture porn film, it was never intended to be. It has elements of torture porn because there is naked sex and there is torture, but most of the violence happens off camera.
Showlinks
Red White & Blue
Red Camera
This trailer is Not Safe For Work. You have been warned.
MarBelle has a strange compulsion to watch as many films as he can get his hands on and find jobs that give him a legitimate excuse to drill filmmakers about their work. Directors Notes is the latest incarnation of this disorder and so much cheaper than film school. Twitter: @MarBelle
New on DN: DN SXSW2010: Red White & Blue – Simon Rumley http://j.mp/cu8u8w #sxsw @rwbmovie: New on DN: DN SXSW201… http://bit.ly/aT5AQH
RT @WeAreDN New on DN: DN SXSW2010: Red White & Blue – Simon Rumley http://j.mp/cu8u8w #sxsw @rwbmovie
RT @WeAreDN New on DN: DN SXSW2010: Red White & Blue – Simon Rumley http://j.mp/cu8u8w #sxsw @rwbmovie
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