When the collaborators at JUNK / Demoscene began work on a quick one minute animation back in 2004, a four year production cycle and two in-between shorts certainly wasn’t the plan. Director Henrik Bjerregaard Clausen joins us to discuss how the aptly named E.T.A. eventually made its way to completion, and why the extended production cycle led to a film well worth the wait.
MarBelle has a strange compulsion to watch as many films as he can get his hands on and find jobs that give him a legitimate excuse to drill filmmakers about their work. Directors Notes is the latest incarnation of this disorder and so much cheaper than film school. Twitter: @MarBelle