It’s the time of year when I get to pretend I’m hard done by; slaving away in darkened cinemas, gorging on the finest films the Times BFI 52nd London Film Festival has to offer. The upside to my valiant sacrifice is that I’m a sharing kinda guy:
Director Anna Justice joins me to discuss the transition from TV movies to cinematic features and the process of finding and working with child actors for her debut Max Minsky and Me.
MarBelle has a strange compulsion to watch as many films as he can get his hands on and find jobs that give him a legitimate excuse to drill filmmakers about their work. Directors Notes is the latest incarnation of this disorder and so much cheaper than film school. Twitter: @MarBelle