<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: Dialog &#8211; Stephen Irwin</title>
	<atom:link href="http://www.directorsnotes.com/2006/06/18/dialog-stephen-irwin/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.directorsnotes.com/2006/06/18/dialog-stephen-irwin/</link>
	<description>The What, How &#38; Why of Independent Filmmaking</description>
	<lastBuildDate>Thu, 09 Feb 2012 17:03:41 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.1</generator>
	<item>
		<title>By: Moxie Teaser &#124; Directors Notes</title>
		<link>http://www.directorsnotes.com/2006/06/18/dialog-stephen-irwin/comment-page-1/#comment-27592</link>
		<dc:creator>Moxie Teaser &#124; Directors Notes</dc:creator>
		<pubDate>Thu, 18 Aug 2011 23:14:35 +0000</pubDate>
		<guid isPermaLink="false">http://www.directorsnotes.com/2006/06/18/dialog-stephen-irwin/#comment-27592</guid>
		<description>[...] of the work of animator Stephen Irwin for so long here on DN that we can remember when he used to work in colour. Through the years his experimental approach to form and narrative seems to have only improved as [...]</description>
		<content:encoded><![CDATA[<p>[...] of the work of animator Stephen Irwin for so long here on DN that we can remember when he used to work in colour. Through the years his experimental approach to form and narrative seems to have only improved as [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Horse Glue &#124; Directors Notes</title>
		<link>http://www.directorsnotes.com/2006/06/18/dialog-stephen-irwin/comment-page-1/#comment-26206</link>
		<dc:creator>Horse Glue &#124; Directors Notes</dc:creator>
		<pubDate>Sat, 05 Feb 2011 18:20:30 +0000</pubDate>
		<guid isPermaLink="false">http://www.directorsnotes.com/2006/06/18/dialog-stephen-irwin/#comment-26206</guid>
		<description>[...] itself beyond the constrains of the frame. From the miniature residents of Clusterville in Dialog to the flipbook panels of the unfortunate Black Dog&#8217;s Progress, Irwin&#8217;s black &amp; [...]</description>
		<content:encoded><![CDATA[<p>[...] itself beyond the constrains of the frame. From the miniature residents of Clusterville in Dialog to the flipbook panels of the unfortunate Black Dog&#8217;s Progress, Irwin&#8217;s black &amp; [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: The Black Dog&#8217;s Progress ‹ Short of the Week</title>
		<link>http://www.directorsnotes.com/2006/06/18/dialog-stephen-irwin/comment-page-1/#comment-18956</link>
		<dc:creator>The Black Dog&#8217;s Progress ‹ Short of the Week</dc:creator>
		<pubDate>Mon, 07 Dec 2009 15:02:49 +0000</pubDate>
		<guid isPermaLink="false">http://www.directorsnotes.com/2006/06/18/dialog-stephen-irwin/#comment-18956</guid>
		<description>[...] came across the work of Central St. Martin’s graduate Stephen Irwin back in 2005 with his piece Dialog (2004). Despite being his first animation, Irwin had already developed his black &amp; white with a [...]</description>
		<content:encoded><![CDATA[<p>[...] came across the work of Central St. Martin’s graduate Stephen Irwin back in 2005 with his piece Dialog (2004). Despite being his first animation, Irwin had already developed his black &amp; white with a [...]</p>
]]></content:encoded>
	</item>
</channel>
</rss>

